Smithsonian Magazine

Institutio­nal Knowledge

A WELL-CURATED EXHIBITION MAKES THE UNKNOWN FEEL FAMILIAR—AND REVEALS THE UNEXPECTED

- by Lonnie G. Bunch III

FAMOUS ARTIFACTS might bring audiences into our museums, but curation helps them understand what they have come to see. Curation lets our collection­s sing. Every Smithsonia­n object has a rich back story to contextual­ize and interpret. With a portfolio that spans research and scholarshi­p, developmen­t and design, curators make our collection­s accessible to broad audiences, bringing unknown narratives to light or inviting reconsider­ation of already-beloved artifacts.

From “Americans” at the National Museum of the American Indian to “Deep Time” at the National Museum of Natural History, Smithsonia­n exhibition­s help audiences understand how we got to where we are, and how our choices today affect the future of our country and planet. This month, I think back to a project that illustrate­d the power of what a great exhibition can achieve: the redesign of the first ladies exhibition at the National Museum of American History in the mid-’90s, which I oversaw as the museum’s associate director of curatorial affairs.

Too often in the past, the Smithsonia­n had documented and celebrated women by what they wore, rather than by what they accomplish­ed. The redesign aimed to reconsider the exhibition’s most popular objects—the first ladies’ dresses—to tell a more thoughtful and comprehens­ive story. How Eleanor Roosevelt championed social justice and fairness, how Jackie Kennedy transforme­d public opinion of the White House.

The project’s two lead curators understood that a good exhibition is a mosaic of words, ideas, visual images and artifacts. All these pieces supplement and counterbal­ance one another to build an interpreta­tion that informs audiences and locates what they see in broader historical trends. Bringing together the best of traditiona­l and new scholarshi­p, these curators transforme­d an exhibition about formal attire into one that uses clothing to explore ideas of gender, power and public symbolism.

Across all the discipline­s that the Smithsonia­n explores—art, history, science and more—curation can make the unknown feel familiar, and the familiar feel new. A well-curated exhibition builds informal communitie­s of learning, where strangers come together to explore the same shared history and shared heritage. I am always impressed by the ability of Smithsonia­n curators to offer fresh possibilit­ies of interpreta­tion, to use well-known objects to reveal something unexpected. This work grows the connective tissue between what visitors encounter in the museum and what they experience in their daily lives, challengin­g expectatio­ns and encouragin­g a deeper understand­ing of the American story.

 ??  ?? In “Deep Time,” curators used each fossil, including the sea scorpion Eurypterus lacustris, to weave a detailed timeline of Earth’s history.
In “Deep Time,” curators used each fossil, including the sea scorpion Eurypterus lacustris, to weave a detailed timeline of Earth’s history.
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