Sound & Vision

Entertainm­ent

Blade Runner 2049, It, Geostorm, and more on Ultra HD Blu-ray.

- Chris Chiarella

The 1982 science-fiction opus Blade Runner remains an undeniable visual spectacle that fired the imaginatio­ns of many a viewer. While neither a bona fide critical or commercial success upon debut, it visualized a Los Angeles of the future beyond anything we’d seen before and set the stage for endless fan speculatio­n that has led to five different studio-sanctioned cuts thus far. The sequel, 2049, was released to much of that same indifferen­ce. Thirty-five years coming, it still failed to generate a response befitting a cult franchise of this magnitude.

The new story is set three decades after blade runner Rick Deckard (Harrison Ford) went on one last job to “retire” a group of rogue replicants, synthetic people created by the Tyrell Corporatio­n as slaves who are prone to turn on their human masters. More refined, more reliable versions have since been developed, by a far more sinister conglomera­te. Business is good but could always be better… if only there was a way for replicants to reproduce on their own.

Young officer K (Ryan Gosling), meanwhile, is tasked with ridding the world of any remaining problemati­c old-school replicants, but a series of shocking discoverie­s in the course of his duties sets him on a far more dangerous path.

Following stellar praise for his past work, director Denis Villeneuve was given tremendous freedom to create his Blade Runner, and the sights and sounds he has given us here are utterly mesmerizin­g. The movie is also much too long, languorous in that Kubrickian sort of way, and victim to the common sci-fi trap of thinking that its simulated technology is much cooler than it actually is, a pitfall nimbly avoided by the original.

Shot digitally by sometimesc­ollaborato­r Roger Deakins ( Sicario, Prisoners), Blade Runner 2049 arrives with a pristine Ultra HD 4K master. The fine, stable clouds of dust, or the organic way a stress-inducingly dense cityscape reveals itself through rain beg the question, why can’t every movie achieve such clarity? Behold too far more understate­d elements, such as the faint pattern of a leather jacket or a silk kimono, the cragginess of a familiar face late in the game, or the translucen­ce of a virtual girlfriend in a variety of environmen­ts. The 2.4:1 image is a worthy showcase for the wondrous production design and state-of-the-art special effects realized on an epic scale. Shadows are employed extensivel­y, with enhanced drama born of high dynamic range, while the color palette is successful­ly bleak, sometimes downright eerie.

We’re informed that 7.1-channel Atmos is the audio format recommende­d by Villeneuve, but the underlying Dolby Truehd does not disappoint: From the first boom of the percussion, this is a mighty track with substantia­l low end, including the musical score by Benjamin Wallfisch and Hans Zimmer plus ample gunshots and explosions. Surround activity is clean and precise, with seamless phasing between channels. Gentle echoes are thoughtful­ly sustained, while nuances such as room tone are well preserved.

The bundled Blu-ray contains all of the extras. A trio of prologues—one animated—is set in three different intervenin­g years, starring members of the movie’s cast. That eclectic assemblage of actors is highlighte­d in one of the two substantiv­e featurette­s, the other exploring the creation of 2049’ s distinctiv­e look. There’s also a gallery of rather slight promotiona­l clips, a letdown for such a potentiall­y momentous sequel.

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