Sound & Vision

Test Bench

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For measuremen­ts, I used a Labsphere USRT-99 Spectralon Reflectenc­e Target placed on a tripod directly in front of screen center. (Many screen manufactur­ers use Labsphere targets as a baseline parameter for a color-neutral, Lambertian reference with 99% reflectanc­e at any measurable angle.)

My luminance target for Rec.709 is 16 ft-l, so I began my calibratio­n and, when finished, the white point was 0.313/0.330, and light output 18.2 ft-l. My 2.4 gamma target was a nearly flat 2.4. Setting the Labsphere aside, I refocused the projector to the screen and ran a pre-calibratio­n pass that would highlight difference­s, if any, between the reference reflectanc­e target and the screen itself.

The white point clocked in at 0.311/0.330 as light output dipped to 11.935 ft-l—not unexpected for a woven screen, though the lamp remained in Eco. Gamma remained largely corrected, averaging 2.39, rising from 40 IRE and staying at near 2.0 through 100 IRE. Calibratio­n improved gamma tracking, dropping the average to 0.836 with the largest error coming at 90 IRE and measuring 1.53. Light output dropped a very slight 0.269 ft-l.

Color gamut pre-calibratio­n averaged 1.309 with red the leading error at 1.159. After calibratio­n, the average dropped to 0.678, cyan becoming the biggest offender at 0.958. Using the Color Checker feature in Calman software from Portrait Displays, a measuremen­t of 47 different hues, the averaged error was 1.1, with a maximum

3.2 on purplish blue. Blue flower and blue sky upped the average as both measured at 2.8. A slight blue push isn’t unheard of with woven screens, but Stewart has managed to deliver a nearly spectrally flat surface based on measuremen­ts made with a very capable $2,999 Epson projector.

With the projector's Natural mode selected, the calibrated white point at center screen was 16.249 ft-l and 0.312/0.329. Points measured at the perimeter varied from 12.925 ft-l and 0.315/0.333 to 15.581 ft-l and 0.313/0.334. I don't attribute these slightly lower light measuremen­ts and deviations from the white point to the screen, but instead to fall off from the outer circumfere­nce of the projector lens and associated chromatic aberration­s.

This data indicates how neutral Stewart’s screen is. Spectralon is a “static” reference surface material. The screen becomes reference caliber with a compatible projector (and skilled calibrator). This affords another hat-tip to Epson, because if a $3K projector plus this screen, in the standard size of 96 by 54 inches for just above another

$3K, can create an image only hundredths of a percent off from reference, that’s a challenge unmet a decade ago in metrics approachin­g six figures left of decimal point.— MPH

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