Sound & Vision

Test Bench

Contrast Ratios

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Measuremen­ts were taken in a variety of conditions with the bulk taken in the Natural picture preset with 6500 color temperatur­e selected and the REC709 color profile. The selected gamma preset was 2.2. Calibratio­n was performed with dynamic laser modes disabled and the contrast ratio measuremen­ts taken in various modes as noted. All viewing and measuremen­ts were performed using a 140-inch diagonal 2.35:1 Stewart Studiotek 130 (G4) screen (1.3 gain).

The full on/off contrast was measured with a Minolta T-10 meter approximat­ely 1 meter away from the lens face. I tested the projector in various aperture settings and with the dynamic laser modes 1 and 2 for dynamic contrast measuremen­ts. Refer to the table for details on the contrast results and measuremen­ts at different average display levels. Peak native sequential contrast varied based on the throw of the projector with the peak reading of 51,000:1 (aperture open) and 123,000:1 (aperture closed) coming from the longest throw. The table lists the contrast in the throw I used for the review, closer to the max zoom (short throw) of the projector in its out-of-the-box best calibrated state (Natural picture mode).

The calibratio­n data was captured from a workflow in Calman 2020 from Portrait Displays (portrait.com). SDR calibratio­n was measured with REC709 and a gamma of 2.2 for targets.

The color gamut in Rec.709 was good with no value exceeding a Delta E (de) of 4. No adjustment­s were needed in the color management system after grayscale was dialed in and all colors were well below a de of 2. Luminance and saturation values throughout the inner gamut were also very accurate. Grayscale/gamma before calibratio­n had an average de of 4.5 but an average of 0.8 after calibratio­n with no level exceeding a de of 2. Overall, this is excellent performanc­e and in line with other projectors at this price point. I would like to see JVC add a multi-point grayscale adjustment with 11 or more points, like we see with flat-panel TVS, but the company does offer free auto calibratio­n software that provides greater flexibilit­y than the standard menu controls.

Scaling artifacts were minimal overall and in line with what I’ve seen from previous JVC projectors. De-interlacin­g HD signals in 1080i was a bit disappoint­ing, with most of the tests on the Spears & Munsil test disc failing even the most basic cadences. It is rare to find interlaced signals from most video source devices these days, but some cable boxes and over-the-air broadcasts are still in 1080i (which is crazy by the way), so resolution may be compromise­d in these situations.— KRD

DIMENSIONS (W x H x D, Inches): 19.7 x 9.2 x 20.8 WEIGHT (Pounds): 56 VIDEO INPUTS: HDMI 2.1

(2, full 48Gbps)

LAN (Ethernet), RS-232C, trigger output, 3D-syncro port, USB (service only)

OTHER:

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