Sound & Vision

HALLOWEEN KILLS

- ROGER KANNO

HALLOWEEN KILLS, the twelfth film in the Halloween franchise, picks up immediatel­y following the events in the 2018 reboot of the original film of the same name. These latest entries were directed by David Gordon Green with a third installmen­t, Halloween Ends, also to be directed by Green, planned for release later in 2022. Several of the original cast members reprise their roles, including Jamie Lee Curtis as Laurie Strode, and Nick Castle in a cameo as the psychotic killer, Michael Myers. Also joining for the new films is Judy Greer as Karen, Laurie’s daughter. Considerin­g that Halloween Kills is a fairly convention­al slasher-flick, the production values and acting are quite good, though the plot does become a bit tedious by the end.

All scenes take place during one evening as Michael again stalks the people of Haddonfiel­d, Illinois. Most shots, including interiors, are dimly lit, although the Dolby Vision HDR presentati­on does a good job bringing out highlights in the actors’ faces and details in foreground objects. Many scenes are bathed in an eerie blue-green light that gives the film a stylized look, but it suits the surreal antagonist, the unstoppabl­e and unkillable Michael Myers. A regular HD version of the film is provided on a standard Blu-ray disc and while it looks quite good, the 4K Ultra HD version is clearly superior. For example, some of the blue-green hue is lost in regular HD, making the cinematogr­aphy look more convention­al. Also, the lighting looks very high contrast, with less gradients to the shadows that are present in nearly every scene.

For a horror film with high production values, I was a bit surprised that Halloween

Kills didn’t make much use of surround and height channels for music and sound effects to increase suspense. But when those channels are used, they sound very good. For instance, at around the 7:30 mark, spooky sound effects and echoing voices fill the soundfield and are followed by well-recorded and atmospheri­c piano about a minute later. To be fair, there is a near-constant ambient sound presence, but the effect is subtle and not as dynamic as I would have liked.

The film’s extended cut has an additional four minutes of footage including a slightly altered ending. Atmos is available on both the standard and Ultra HD versions of the film, and a download code is provided. The same extras are on both discs: a gag reel, three deleted and extended scenes, five featurette­s, a mash-up of all the killings titled

“Kill Count,” and an audio commentary track with David Gordon Green, Jamie Lee Curtis, and Judy Greer.

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