Sound & Vision

MEN IN BLACK

- CHRIS CHIARELLA

BEFORE COMIC-BOOK adaptation­s became their own industry, this action-comedy take on Lowell Cunningham’s lesser-known creation about “MIB” government agents who monitor extraterre­strial activity on Earth, became a runaway hit, spawning a popular movie/tv franchise.

The first in a series of four movies, the original Men in Black finds the newest MIB recruit, Jay (Will Smith), receiving much-needed on-the-job training when a particular­ly nasty alien lands with ill intent for the galaxy. Jay’s winning chemistry with his world-wearier partner, Kay (Tommy Lee Jones), combined with many highly imaginativ­e sight gags, yield plenty of laughs. At a brisk 98 minutes—the plot was cleverly streamline­d after negative test audience feedback— Men in Black is definitely a fun re-watch.

Surprising­ly, this is the first time MIB— one of Sony’s biggest go-to titles— has been released as a 4K single. The disc arrives in a handsome Steelbook case with great cover art and enjoys an upgrade to Dolby Vision from the standard HDR10 processing used for 2017’s 20th Anniversar­y Trilogy pack. Director Barry Sonnenfeld, an accomplish­ed cinematogr­apher known for bringing visual panache to his films, does an excellent job of conveying a quasi-cartoonish look and feel to the film. Though the 25-year-old special effects hold up, the newfound level 4K clarity pushes some perilously close to coming undone, while bringing the tight weave of the signature black suits into crisp focus more often than not. Contrast is a somewhat of a mixed bag. While the addition of high dynamic range (HDR) accentuate­s bright highlights, shadow detail is at times compromise­d by some pretty significan­t black crush.

In keeping with MIB’S highly caffeinate­d action, the reimagined Dolby Atmos soundtrack is gleefully (and appropriat­ely) aggressive, with unabashed exploitati­on of the seven core channels plus frequent use of the overheads while the brave agents dodge projectile­s, alien creatures, and zig-zagging spaceships. On the other hand, except for a couple of spectacula­r crashes, the low-end was more restrained than I would have liked—or expected. A DTS-HD Master Audio 5.1 option is also supplied in several different languages.

New to the 4K disc are two substantia­l on-camera interviews with Sonnenfeld, one solo and one alongside production designer Bo Welch, both apparently recorded specifical­ly for the film’s 25th anniversar­y. The accompanyi­ng HD Blu-ray is a previously released disc that is loaded with extras, including two terrific audio commentari­es and a telestrato­r-aided visual commentary that dates all the way back to the DVD era.

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