Sound & Vision

SILENT RUNNING

- ● BRANDON A. DUHAMEL

WHEN DOUGLAS TRUMBULL, the wizard behind the visual effects on Stanley Kubrick’s 2001: A Space Odyssey, finally took to the director’s chair, the result was 1972’s Silent Running. The environmen­tally themed adventure set in the distant future stars Bruce Dern in a gripping early career performanc­e as botanist Freeman Lowell.

Lowell is on an assignment in outer space aboard the Valley Forge, a ship carrying in its large biodomes all remaining plant life from a devastated Earth, bereft of foliage. When the command comes in to abandon the mission, destroy the domes, and return home, he defies orders and turns on his shipmate, deciding to go his own way and ultimately drifting into the void of space alone.

Although not as successful as 2001, Trumbull’s environmen­talist sci-fi has proven extremely influentia­l and has grown in stature over the years, its impact being evident in films such as WALL·E (also reviewed on this page) and Star Wars. Trumbull would go on to create the landmark visual effects for Close Encounters of the Third Kind and Blade Runner.

Arrow has done a new 4K restoratio­n of Silent Running from a scan of the original camera negative, supplying the film on Ultra HD disc in 1.85:1 HEVC 2160p with high dynamic range. The imagery is stunning, with a high-contrast implementa­tion of obsidian blacks and vibrant colors, like the yellow flowers and navy blue of Lowell’s uniform, courtesy of the Dolby Vision color grading. Lights and reflection­s have good specular highlight pop, and the flesh tones all have a natural appearance. Film granularit­y looks organic, thinly layered, and does not show any excessive manipulati­on such as DNR.

The original monaural soundtrack for Silent Running arrives in a lossless DTS-HD Master Audio 1.0 presentati­on. It provides clean and clear dialogue with little hiss and no clipping. The songs of Joan Baez come across with good musicality as well. As far as mono tracks go, this is one of the better ones you will hear.

As usual, Arrow packages this release beautifull­y, and includes a reversible sleeve featuring original and newly commission­ed artwork by Arik Roper. There is also a first pressing- only collector’s booklet featuring writing by Barry Forshaw and Peter Tonguette, and two audio commentari­es: the first by Trumbull and Dern, and the other an easy-to-listen-to track by Forshaw and Kim Newman. It also comes with three archival extras and a fascinatin­g visual essay called “First Run” by Jon Spira.

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