South Florida Sun-Sentinel Palm Beach (Sunday)
Tony Award nominee, Broadway and West End star
NEW YORK — Actress and soprano Marin Mazzie, a three-time Tony Award nominee known for powerhouse Broadway performances in “Ragtime,” “Passion” and “Kiss Me, Kate,” has died following a threeyear battle with ovarian cancer. She was 57.
Mazzie died Thursday at her Manhattan home surrounded by close friends and family, said her husband, actor Jason Danieley. Her death was confirmed by her publicist, Kim Correro.
Tributes came from all across Broadway, including Harvey Fierstein, who wrote, “Beautiful, brave and inspiring. A glorious voice and an even better human being” and Michael Urie, who called Mazzie “luminous.” Actor Daniel Dae Kim wrote: “The lights of Broadway all shine a little dimmer tonight.”
Mazzie’s broad career went from screwball comedy — in “Kiss Me, Kate” and “Monty Python’s Spamalot” on Broadway and the West End — to riveting, dysfunctional moms in “Next to Normal” and “Carrie.” She earned other Broadway roles in “Man of La Mancha,” “Bullets Over Broadway,” “Enron” and “Into the Woods.”
She found out about her cancer diagnosis on the opening day of a concert production of “Zorba!” in May 2015 and refused to pull out. In one song, she sang: “Life is what you do while you’re waiting to die.
Mazzie later underwent a hysterectomy, a bowel resection because the cancer had spread and weeks of chemotherapy. She returned to Broadway a year later, replacing Kelli O’Hara in “The King and I.”
“It’s very emotional for me,” she told The Associated Press in 2016. “I’m so anxious and excited and thrilled to be able to bring, in essence, a new me back to the stage with what’s gone on in my life.”
Mazzie made her New York stage debut in the 1983 revival of Frank Loesser’s musical, “Wh e re ’s Charley?” Her big break came playing Beth in “Merrily We Roll Along” at the La Jolla Playhouse in Cali- fornia in 1985, the first production outside New York. La Jolla artistic director Des McAnuff later put her into “Big River” on Broadway, marking her debut on the Great White Way.
She would work three times on Broadway with Brian Stokes Mitchell — “Ragtime,” “Kiss Me, Kate” and “Man of La Mancha.” (They would also work offBroadway in a concert version of “Kismet.”) One of her proudest accomplishments was originating a Stephen Sondheim role — Clara in 1994’s “Passion.”
When “Kiss Me, Kate” opened on Broadway in 1999, Variety said “her pure and versatile soprano is Mazzie’s most marvelous attribute. When the show went to London, the Variety reviewer there said Mazzie was “blessed with a mouth that looks as if it could devour the Victoria Palace whole.”
Mazzie was also a frequently booked singer at concerts across the country, playing Carnegie Hall, the Hollywood Bowl and with the Boston Pops, New York Pops and the New York Philharmonic. Her off-Broadway credits include “Carrie” and “White Rabbit Red Rabbit.” She released the live album “Marin Mazzie: Make Your Own Kind of Music” in 2015.
On TV, Mazzie appeared in “Without a Trace,” “Still Standing,” “Nurse Jackie,” “The Big C” and “Smash.” Her off-Broadway roles included a revival of the musical “Carrie,” in which The New York Times said she “brings” out an unexpected emotional delicacy in her character’s numbers.”
She is survived by her her husband, Danieley, mother, Donna Mazzie, and brother, Mark Mazzie.