South Florida Sun-Sentinel (Sunday)

Barcelona is the spirit of Catalunya

- Rick Steves Rick Steves (www.rick steves.com) writes European guidebooks, hosts travel shows on public TV and radio, and organizes European tours. This article was adapted from his book, “For the Love of Europe.” You can email Rick at rick@ ricksteves.com

Life in Barcelona is an engaging mix of Madridstyl­e love of life and Parisian elegance and taste. Spain’s second-biggest city is one of the hottest tourist destinatio­ns in Europe, with more than 7 million visitors a year, so its popular pedestrian boulevards can become human traffic jams.

Despite its notorious crowds, there’s plenty to enjoy. Everywhere you go, you’ll find the city’s architectu­re to be colorful, playful and unique. Rows of symmetrica­l ironwork balconies are punctuated with fanciful details: bay windows, turrets, painted tiles, hanging lanterns, flower boxes and carved reliefs.

In its day, this proud city has been a Roman retirement colony, a maritime power, a dynamo of the Industrial Age and an urban poster child for modernism. Today it cobbles together all these elements into a one-of-a-kind culture.

Barcelona is the capital of Catalunya — a proud “nation without a state” and a region of Spain. The locals pride themselves on their different language and talk about independen­ce. And with each visit, I hear more Catalan and less Spanish.

Talking to my friends in Barcelona about the practicali­ty of having their children learn Catalan — leaving them with a native tongue that less than 10 million people speak in an aggressive and global world — none of them questioned the notion. Of course they speak Catalan ... they are Catalans. And they speak Spanish and English as well — they’re well-educated Europeans.

The iconic main square, Placa de Catalunya, sits at Barcelona’s center, dividing

the older and newer parts of town. Below the square is the Old City, with the boulevard called the Ramblas running down to the harbor.

This Catalan ChampsElys­ées has long been a quintessen­tial Barcelona experience. But with modern affluence and the rise of tourism (plus Airbnb-type short-term rentals allowing landlords to make more money while driving local tenants to the suburbs), the charm of the Ramblas is all but dead. The old men reading their newspapers, the bird and flower markets, and the local shops are now replaced by tacky low-end tourist shops.

Barcelona’s most historic neighborho­od is Barri Gotic, with a 14th-century cathedral as its navel. Today, the area is a tangledyet-inviting grab bag of grand squares, schoolyard­s,

Art Nouveau storefront­s, musty junk shops, classy antique shops and street musicians strumming Catalan folk songs.

While the recent lifting of rent control has caused many of the old-time shops to fold, thankfully the character of this quarter survives.

For an edgier slice of the city, step just beyond the Barri Gotic into the neighborho­od called El Born (aka “La Ribera”). This bohemian-chic district features funky shops, upscale cafes and wine bars serving artfully crafted tapas, a colorful market hall, unique boutiques, and one of Barcelona’s top museums, Museu Picasso.

Above the Old City, beyond the bustling Placa de Catalunya hub, is the elegant Eixample district. Much of Barcelona’s Modernista architectu­re is found here, especially a row

of colorful facades built at the end of the 19th century that compete for attention: Casa Batlló, Casa Amatller, and Casa Lleó Morera. Because the mansions look as though they are trying to outdo each other in creative twists, locals have dubbed them the “Block of Discord.”

The Eixample is also home to famed Catalan architect Antoni Gaudí’s La Pedrera (aka Casa Milà), with its much-photograph­ed roller coaster of melting ice-cream eaves. This is Barcelona’s quintessen­tial Modernista building and Gaudí’s last major work before he dedicated his final years to the Sagrada Família.

Sagrada Família (Holy Family Church) is Gaudí’s unfinished masterpiec­e. It boasts bold, organic architectu­re and decor inside and out — from its melting Glory Facade to its

skull-like Passion Facade to its rainforest-esque interior. Gaudí labored on the Sagrada Família for 43 years, from 1883 until his death in 1926.

Since then, constructi­on has moved forward in fits and starts. In 2010, the main nave was finished enough to host a consecrati­on Mass by the pope. As I stepped inside on my last visit, the brilliance of Gaudí’s vision made for lofty worship in the nearly completed nave.

Today’s main challenges for this epic work-in-progress: Construct the tallest church spire ever built, ensure that constructi­on can withstand the vibrations from speedy trains rumbling underfoot, and find a way to buy out condo-owners to fulfill Gaudí’s vision of a grand esplanade approachin­g the church. The goal to finish by the 100th anniversar­y of

Gaudí’s death, in 2026, may seem overly optimistic. But, with money from millions of visitors pouring in, it appears more obtainable as time goes by. I’ve long said, “If there’s one building I’d like to see in Europe, it’s Gaudí’s Sagrada Família church in Barcelona ... finished.”

With attitude in its art, culture and politics, Barcelona — in spite of its tourist crowds — is a place where you’re likely to wave the local flag and declare, along with its residents, “Visca Catalunya!”

 ?? ??
 ?? DOMINIC ARIZONA BONUCCELLI ?? Sagrada Família, under constructi­on since 1883, is the culminatio­n of Antoni Gaudí’s wildly creative Modernista style.
DOMINIC ARIZONA BONUCCELLI Sagrada Família, under constructi­on since 1883, is the culminatio­n of Antoni Gaudí’s wildly creative Modernista style.

Newspapers in English

Newspapers from United States