Latest ‘Kung Fu Panda’ lacks punch
The “Kung Fu Panda” movies have always been a reliable name when it comes to animated franchises. A distinctive style, star-studded voice cast, and the winning Jack Black voicing Po, the roly-poly, dumpling-appreciating Dragon Warrior, is usually a recipe for success. Or at least it has been. “Kung Fu Panda 2” was even nominated for a best animated feature Oscar in 2012.
It’s been eight years since we last saw our old pal Po, in 2016’s “Kung Fu Panda 3,” and this new installment, “Kung Fu Panda 4,” is co-directed by journeyman animation director Mike Mitchell and Stephanie Ma Stine, making her feature debut. Franchise writers Jonathan Aibel and Glenn Berger return, with Darren Lemke rounding out the writing team. The film coasts on the elements that have worked before: Black’s vocal charms and the franchise’s signature style, which is inspired by various Chinese arts from painting to music to film. It’s still a fun, beautiful animated world to experience, but the rushed and harried story, over-stuffed with plot and characters, gets short shrift thanks to the brisk 94 minute run time.
The film also falls prey to a few well-trodden tropes, so what used to be fresh and singular now feels like every other animated sequel. There are cutesy killer bunnies and a giant monster thrashing around in a climactic battle; Awkwafina voices a sassy supporting character — can casting the Awkwafina in an animated vocal role be considered a trope now? She’s voiced characters in “Migration,” “The Little Mermaid,” “The Bad Guys,” “Raya and the Last Dragon,” “The Angry Birds Movie 2,” “Storks” and more. All respect to her for staying employed, it just feels almost too predictable that her gravelly Queens-inflected tones will pop up in an animated feature at this point.
In Awkwafina’s favor, this character, Zhen, is a little bit more grounded and well-developed than usual. She plays a thieving fox whom Po apprehends stealing relics. He tosses her in jail but frees her when she promises to help him find a power-hungry mob boss known as The Chameleon (Viola Davis).
Po finally gets to explore beyond the rural beauty of the Valley of Peace, and we get to see some urban landscapes. Except as soon as the pair arrive in Juniper City, they’re chased into the criminal underground and spend the rest of the film in The Chameleon’s mountaintop palace.
The story is skeletal and often rushes by in a blur, and it relies on so many overly familiar beats that it’s hard to muster up the energy to care about anyone’s motivation. They could have been used as shortcuts to heart-stringpulling, but much like Po, “Kung Fu Panda 4” just wants to vibe out, riding the wave of previous successes. For little kids, it will be a fun diversion, but for anyone expecting the excellence of the previous films, this dumpling is a little too light on the filling.