Stamford Advocate (Sunday)

Passion first

JOHN REID MAINTAINS HIS JOY AND SPIRITEDNE­SS AS THE FTC APPROACHES ITS 20TH ANNIVERSAR­Y UNDER PANDEMIC CONDITIONS

- By Mike Horyczun

While working in the humanitari­an field, decades before he became one of Fairfield County’s leading live music presenters, John Reid always had a strong passion for the arts. He worked for the internatio­nal relief agencies CARE as chief technology officer from 1986 to 1996, and then as chief operating officer for World Vision. He also led nonprofits supporting children’s heath and welfare such as FamiliesFi­rst, Child Help and the Hole in the Wall Foundation. In all his roles, his guitar was never far from his side.

Reid’s love for the arts, particular­ly music, remains very much alive to this very day. Besides being an accomplish­ed singer-songwriter and guitarist, Reid is the executive director and producing artistic director for the Fairfield Theatre Company, a position he’s held since 2012.

“I always wanted to be in and around music in some way,” says Reid, during a recent conversati­on. “The idea of being a concert promoter and running venues, I hadn’t really thought specifical­ly about. I really started on the talent side. All the years that I worked in the humanitari­an field, I often gigged at night. When I lived in New York working for CARE, I also worked for the Roundabout Theatre. So, I was always working in the arts, and I would say that music was my overriding passion.”

In the pre-pandemic days, Reid presented more than 200 concerts a year at FTC. With all the complexiti­es that job entailed, Reid says his own music kept him grounded.

“I am probably one of the most over-rehearsed musicians who doesn’t get out to play that much,” he says. “I still keep my chops up.”

Born in Washington, D.C., Reid was raised in Mississipp­i and moved to Virginia in his late teens. “When I first began to play music, it was just about the love of music. One thing about the Deep South, there’s such a rich heritage, and I really listened almost exclusivel­y, when I started playing.”

He writes his own material and released an EP called “Hillbilly Swing” two years ago. He also has appeared at FTC as an opening act for the likes of Dan Hicks, Jerry Douglas, and Alejandro Escoveda. “I’ve opened for probably a show or two every year,” he says, “but one thing that was clear to me from the beginning was that FTC was not a platform to promote myself.”

He knew his role was to lead, develop and expand the nonprofit organizati­on. Since his time at the helm, FTC has presented between 1,500 and 1,700 shows. He also was in charge when, in 2015, FTC opened The Warehouse, a 640-seat configurab­le space, three times as large as the intimate Stage One theater. At the beginning of this year, Reid was overseeing renovation­s and planning FTC’s 20th anniversar­y celebratio­n. Then came the virus outbreak.

“The time I’ve been here at FTC has been all about growing the organizati­on, expanding the diversity and richness of the programmin­g, and all those things,” he said. “We began refurbishi­ng the rest of the campus, the green rooms, the dressing rooms, creating rehearsal rooms, and office space. That project was 98% done, when COVID hit. In fact, for June, we were scheduling a grand opening of the campus with all the improvemen­ts we made. It was also our 20th anniversar­y. All of a sudden, we came to a screeching halt.”

In mid-March, FTC stopped presenting concerts, and staff started working from home. “We had a list of about forty to fifty shows and events that had to be reschedule­d,” says Reid. “Our first thought was to reschedule through the end of May. As the weeks wore on, we realized that we had to start looking beyond that. And with each new reopening and guideline that was released by the governor, we began to reschedule further out into the future. All told, we’ve probably reschedule­d, postponed, and reschedule­d close to one hundred shows and events. It has been just a huge logistical nightmare.”

To keep its audience connected, FTC live-streamed concerts with local artists and focused on selling merchandis­e on its website.

“Along with that, we were doing some online auctions of some collectibl­es,” he says, “like signed posters or signed guitars we’ve kept over the years, which we often auction at our fundraiser­s.”

All August shows at FTC have been cancelled or postponed, although some upcoming dates in the fall and winter remain on the calendar.

“Right now, we’re just holding on with some hope and waiting to see how we can continue to serve this area with fantastic music. The facilities have never been better in terms of the preparatio­ns we need when we’re ready to reopen to the general public. The first opportunit­y we have to do so, we’re certainly ready,” he says. “But, what’s more important than anything else right now is public health and safety. I think everyone understand­s that.”

 ?? Scott Vincent / Contribute­d photo ??
Scott Vincent / Contribute­d photo
 ?? Contribute­d photo ?? At the Fairfield Theatre Company, renovation­s and expansions were nearly done in time for their 20th anniversar­y. “All of a sudden, we came to a screeching halt,” says FTC’s executive director and in-house musician John Reid.
Contribute­d photo At the Fairfield Theatre Company, renovation­s and expansions were nearly done in time for their 20th anniversar­y. “All of a sudden, we came to a screeching halt,” says FTC’s executive director and in-house musician John Reid.
 ?? Christian Abraham / Hearst Connecticu­t Media ?? A special sing-along version of “Frozen” was performed in a sold-out show at Fairfield Theatre Company’s Warehouse in 2016. The expanded entertainm­ent space was under renovation when the pandemic hit.
Christian Abraham / Hearst Connecticu­t Media A special sing-along version of “Frozen” was performed in a sold-out show at Fairfield Theatre Company’s Warehouse in 2016. The expanded entertainm­ent space was under renovation when the pandemic hit.

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