Stamford Advocate (Sunday)

A blurred movie year comes into focus at New York Film Fest

- Photos and text from wire services

A movie year of fits-and-starts, delays and reversals has sometimes been difficult to track. Knowing just where and how a new movie premieres has become a sport of its own. Even for those closely following new films, it’s been a sometimes exhilarati­ng, sometimes befuddling half-virtual, half-in-person year of moviegoing.

But at the 59th New York Film Festival, which begins Friday, an abnormal movie year comes into sharp focus. The New York Film Festival, which is put on by Film at Lincoln Center, isn’t the sum total of everything worth seeing in 2021, but it’s about as close as most festivals get. Over the next two weeks, 32 feature films will unspool in New York’s main slate, along with companion sections, revivals and tributes.

“The mandate of the festival has always been to take stock of the year in cinema,” says Dennis Lim, the festival’s director of programmin­g. “Besides being a strange year, I think it was also a really strong year.”

The premiere of Joel Coen’s Shakespear­e adaptation “The Tragedy of Macbeth,” starring Denzel Washington and Frances McDormand, kicks off the festival Friday at Alice Tully Hall. The film, to be released in theaters on Dec. 25 and on Apple TV+ on Jan. 14, is the biggest event of the festival, which adds to the growing revival of the arts in New York. In recent weeks on Lincoln Center’s campus, the Philharmon­ic, the Metropolit­an Opera and New York City Ballet have all returned to their indoor stages. Down the street, Broadway’s top shows are back.

After the pandemic forced last year’s New York Film Festival to host virtual screenings and drive-ins around the city, the annual parade of top internatio­nal filmmakers and some of the year’s most acclaimed films will return to Lincoln Center.

“There was this disruption that happened. We’re all coming back from that,” says Eugene Hernandez, director of the festival. “For us, as a festival, we decided to prioritize the in-person experience.”

 ?? Associated Press ?? Milena Smit, foreground left, and Pene´lope Cruz in a scene from Pedro Almodovar’s “Parellel Mothers.”
Associated Press Milena Smit, foreground left, and Pene´lope Cruz in a scene from Pedro Almodovar’s “Parellel Mothers.”

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