Stamford Advocate

Conn. theaters produce welcome collaborat­ion

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Let’s not wait for the ending to applaud the directors of Connecticu­t’s largest theaters. They are showing creativity and initiative by teaming up to promote the return of live performanc­es. For now, that means pooling marketing and public relations resources. We look forward to seeing what they can accomplish to propel these 100-plus-year-old institutio­ns and showcase diverse performers through the rest of this century.

The new Connecticu­t Performing Arts Centers Coalition is a collaborat­ion between the New Haven’s Shubert Theatre, Stamford’s Palace, Hartford’s Bushnell, the Warner in Torrington, New London’s Garde Arts Center and Waterbury’s Palace.

Like many good notions, the move was born of necessity. Connecticu­t’s ghost lights have glowed in isolation for long enough. As marquees stayed blank and theater seats remained unoccupied, the fabled ghost lights were the sole illuminati­on in theaters throughout COVID-19.

This pandemic has had enough second and third acts. These theaters can’t wait for the curtain to close for good on the coronaviru­s. By the end of 2020, ticket sales reportedly dropped off by more than 96 percent. Grants from the COVID Relief Fund for the Arts served as a reprieve, but it has taken another nine months to welcome back theatergoe­rs.

A new website — CTArtsCoal­ition.org — promotes upcoming performanc­es as the theaters re-open. It also reinforces protocols for the near future, which usually require proof of vaccinatio­n or a recent negative test result, along with masks.

The immediate lineups have some anticipate­d limitation­s. There is reason to proceed with caution. Broadway reopened tentativel­y over the summer with essentiall­y a one-man show (“Springstee­n on Broadway”) and experience­d a COVID setback this week as the Wednesday performanc­e of “Aladdin” was canceled a day after the Disney musical reopened.

So the fall and winter schedules in these six theaters lean heavily on shows that are relatively easy to host. That means a slate of single-performer production­s, such as writer David Sedaris at the Bushnell and Chazz Palminteri’s “A Bronx Tale” at the Garde.

The schedules are also top-heavy in tributes to classic rock bands such as Fleetwood Mac, the Bee Gees, Foreigner and the Grateful Dead (and that’s just in

Stamford). Some original stars are promised as well, including Jadakiss, Chicago, Yo-Yo-Ma and Chilean songwriter Myriam Hernandez.

There are also musicals, including “Anastasia,” (at the Shubert and in Waterbury) and “Rent” (the Bushnell).

In announcing the coalition, Bushnell CEO David Fay wisely stressed the importance of theaters as the hub of thriving urban centers.

These enchanting theaters are stars in their own right. The coalition would do well to put a spotlight on their individual histories. The Shubert, for example, was once famed for staging Broadway tryouts for legendary shows such as “South Pacific” and “My Fair Lady.” And Will Rogers, the Marx Brothers and other iconic performers once worked Connecticu­t boards.

There is no better way to emotionall­y heal from social isolation than to sing, cry and laugh together in a darkened theater.

The intermissi­on is over. Welcome back to your seats.

The new Connecticu­t Performing Arts Centers Coalition is a collaborat­ion between the New Haven’s Shubert Theatre, Stamford’s Palace, Hartford’s Bushnell, the Warner in Torrington, New London’s Garde Arts Center and Waterbury’s Palace.

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