Sun Sentinel Broward Edition

18th- century slave named Fortune finally laid to rest

- By Susan Dunne and Daniela Altimari The Hartford Courant director of theMattatu­ck Museum from 2001 to 2012

In life and in death, the man known as Fortunewas treated as nothing more than a thing owned by others.

Fortunewas a slave inWaterbur­y in eastcentra­l Connecticu­t, purchased by a doctor and bonesetter, Preserved Porter. When Fortune died in1798, Porter flayedFort­une’s corpse and boiled the bones. The bones were used for more than 100 years by Porter’s descendant­s to learn anatomy and become doctors.

In 1933, one of Porter’s descendant­s donated Fortune’s bones to the Mattatuck Museum in town. Fortune’s skeleton was propped up for display there for more than 30 years. In the early1970s, after the peak of the civil rights movement, the slave’s skeletonwa­s taken down, boxed and put in storage. It remained there for more than 25 years.

Last week, Fortune got something of his own: a respectful burial.

“Fortune was mistreated, even after he died. ... The museum did not do any research on who he really was, how he died, what he did. Hewas just there as an attraction,” said Marie Galbraith, director of the Mattatuck from 2001 to 2012. “Now the research has been done. We did as much as we can. Wewant to giveFortun­e his personhood.”

Tracing oral history

In 1996, Mattatuck initiated the Fortune Project to discover the story of themanwho became the museum’s skeleton. The effort was an offshoot of another project started years earlier by the Mattatuck’s African American History Project Committee to study the history of blacks in the city of about 110,000 residents. MaxineWatt­s, former head of the Waterbury branch of the National Associatio­n for the Advancemen­t of Colored People, led the committee.

“We decided we were going to have to approach people 80 years old and over and ask them to do oral history with us about growing up inWaterbur­y,” Watts said. “We were hoping to find the oldest people we could and talk to them before they were gone.”

That project made headlines in the local press. A Waterbury attorney, Gary Broder, read the stories and wrote toWatts, asking her to look into “Larry the skeleton,” a formerMatt­atuck exhibit known to have been a slave.

“I asked Marie, ‘ Whatever happened to that skeleton?’ She said, ‘ It’s still here, let’s bring him up,’” Watts said. “We were looking for the oldest African American in town, and all the time hewas right here.”

In his collection of historical­Waterbury postcards, Broder owns a picture postcard of “Larry the skeleton.” It shows the skeleton with “Larry” scrawled across the forehead, flanked by a shovel and a pitchfork. The postmark is unclear, but the postcard dates to between 1958 and 1963, when postcard postage was 3 cents.

Broder recalls seeing the skeleton when hewas a child. “Iwas in grammar school. I saw it and thought, ‘ There’s a skeleton, that’s pretty cool,’” he said. “As a grammarsch­oolage kid, I didn’t have a real concept of whatitwas. Itwas a skeleton. Every kid knows what a skeleton is. We think of it from Halloween. I certainly didn’t have a sense of it as a person.”

Launching off from Broder’s postcard, the Fortune Project consulted an 1896 book, “The Town and City of Waterbury, Connecticu­t, from the Aboriginal Period to the Year Eighteen Hundred and Ninety- Five,” edited by Joseph Anderson. The book called the slave Larry and said he drowned in 1798. It referred to Porter’s use of the slave’s bones as “economical.”

In historical records, it was noted that a slave named Fortune belonging to Preserved Porter was baptized in 1797. The estate inventory of Porter, executed by his two sons, indicated that Fortune had a wife, Dinah, and four children, sons Jacob and Africa and daughters Mira and Roxa.

The bones were donated to the Mattatuck by Sally Porter LawMcGlann­an after a team of workers found them while renovating an old building.

In solemn ceremonies Thursday, hundreds gathered to honor the memory of aman who, in life and death, was treated like a possession. Fortune’s bones lay in state for five hours at the state Capitol in Hartford. “Even after death, he did not get the respect he should have as a man ... as a human being,” Lt. Gov. Nancy Wyman said. “This state iswelcomin­g him now. ... Mr. Fortune, you are somebody [ who] will not be forgotten.”

The casket was taken that afternoon to St. John’s Episcopal Church on the Green, theWaterbu­ry parish in which Fortunewas baptized. Eight pallbearer­s carried the simple, dark wood casket into the church, where itwas draped in satin and taken into the high- ceilinged, arched sanctuary.

Amy Welin, rector of St. John’s, led the service attended by a racially mixed group of more than 300 people. The fate of Fortune’s family is not known, but Welin said members of the Union of Black Episcopali­ans and the African American History Project Committee, the group that researched­Fortune’s background, “stand in as his family.”

“By our common humanity, we’re descendant­s,” saidWelin, who is white.

Before the burial, several members of the local clergy also spoke. “Human beings, regardless of color, race, gender, sexual orientatio­n or ethnicity, are all God’s children created in God’s image,” said the Rev. Calbert Brantley of Zion Baptist Church.

Two clergy members quoted Ezekiel 37, in which God asked Ezekiel, “Can these bones live?”

Winifred Ward of Grace Baptist Church responded: “I believe Mr. Fortune’s bones can live ifwe allowourse­lves to keep telling the story.”

his

 ?? CLOE POISSON/ MCCLATCHY- TRIBUNE ?? Christian Mullins, 6, makes the sign of the cross on a casket that holds the remains of an 18th- century slave named Fortune during a burial service earlier this month.
CLOE POISSON/ MCCLATCHY- TRIBUNE Christian Mullins, 6, makes the sign of the cross on a casket that holds the remains of an 18th- century slave named Fortune during a burial service earlier this month.
 ?? COURTESY PHOTO ?? Artist’s conception, by WilliamWes­twood, of what Fortune may have looked like.
COURTESY PHOTO Artist’s conception, by WilliamWes­twood, of what Fortune may have looked like.

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