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Sword swallower was a magician and comedian

- By Emily Langer The Washington Post

Johnny Fox, a profession­al sword swallower and magician who entertaine­d audiences across the country to help them, as he said, “forget about the sadness and the madness” in the world, died Dec. 17 at the home of a friend in Damascus, Md. He was 64.

His death was announced by the Maryland Renaissanc­e Festival in Crownsvill­e, where he had performed for 37 years, including as recently as in October. He had liver cancer, and his death followed two seizures, said his companion, Barbara “Tammy” Calvert.

Fox was, by his count, one of 20 or fewer sword swallowers in the United States, a group that travels from festival to carnival preserving the traditions of sideshow arts. He did coin tricks as well as comedy and was known, according to the Renaissanc­e Festival, to “drive an 8-inch spike into his nose” and to swallow 5-foot balloons.

He swallowed fire until he learned it was detrimenta­l to his health.

But his calling card was his sword act, which he taught himself for job security when he was in his 20s; copy cats could and did attempt to replicate his magic shows, but few, if any, would dare to open wide and turn the sharp end of a sword in the direction of their throat.

Thousands saw his act on the television shows hosted by Merv Griffin and David Letterman. Thousands more watched him perform at Renaissanc­e festivals and other gatherings.

He said the most important trait of a sword swallower was the ability to conquer fear, not to mention the gag reflex.

“You have to surrender and open up,” Fox told the New York Times in 1999. The trick, he continued, is “the ability to relax and dilate your throat, the pharynx and the epiglottis . ... When we swallow, they both open.”

To counter suspicions that he was using a retractabl­e blade, he sometimes employed a glowing sword that made light emanate from his throat. He was said to swallow swords up to 22 inches long, and up to 16 swords at a time.

In another feat, he a screwdrive­r.

“Twist it around a couple of times so my butt doesn’t fall off,” he told NPR in October, “and make sure I do it clockwise, not counterclo­ckwise.”

Fox began his performing career in Florida but gradually became known around the country. He appeared in a Maalox antacid commercial, munching on light bulbs.

In New York City, he operated a museum, the Freakatori­um, El Museo Loco, that featured such items as a narwhal tusk, a two-headed turtle, conjoined piglets preserved through pickling, and relics billed as clothing having belonged to Tom Thumb and entertaine­r Sammy Davis Jr.’s glass eye. The museum closed in 2005, after five years, due to an increase in rent.

Fox delighted in providing his audiences with a means of escape from daily life, and the struggle it often entails, with an act that was both difficult to watch and impossible to ignore.

“It’s gross and disgusting, I know,” he once told The Washington Post. “But you’ll watch.” swallowed

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