Sun Sentinel Palm Beach Edition

Groundbrea­king scholar studied and wrote of all things American

- By Hillel Italie

NEW YORK — Daniel Aaron, a founding scholar and ambassador of American studies who explored and explained his country through books, essays and diplomatic missions, and helped preserve the literary canon as the first president of the Library of America, has died.

Aaron, who received a National Humanities Medal in 2010, died Saturday at 103 at Mount Auburn Hospital in Cambridge, Massachuse­tts, according to his son, Paul Aaron. Daniel Aaron had been admitted a week earlier for breathing problems.

“He was active intellectu­ally, right to the end,” Paul Aaron told The Associated Press on Tuesday.

He was a professor emeritus at Harvard University, where even at age 100 he worked daily in his office. But, unofficial­ly, he was the foremost “Americanis­t,” a self-described “practition­er of things American.” A child of Russian immigrants, Aaron’s long life was a quest to learn the new world and share his knowledge. He traveled from Eastern Europe to South America and wrote such influentia­l books as “Men of Good Hope,” profiles of left-wing writers and thinkers in the U.S.; and “The Unwritten War,” a critical review of Civil War literature and how writers confronted racial prejudice.

His most lasting contributi­on to American letters was likely the Library of America, establishe­d in 1979 — through public and private grants — as an answer to France’s Pleiade series of elegant volumes of classic texts. The project was first suggested by critic Edmund Wilson in the early 1960s.

Aaron, editor Jason Epstein and others wanted to ensure that major American books and authors remained available, affordable and in worthy condition by publishing hardcover volumes with shiny black covers, acid-free paper and ribbons to keep place. Releasing a handful of books each year, the library now has more than 200 works, including writings by the founding fathers, 19th century standards by Herman Melville and Mark Twain and contempora­ry giants such as Philip Roth and John Ashbery.

Aaron, president of the library until 1988, lived long enough to witness more than one-third of his country’s history. He had first-hand memories of every presidenti­al administra­tion from Woodrow Wilson’s through Barack Obama’s and every foreign conflict from World War I to the war in Iraq. He was a boy in Los Angeles when the movies were still silent.

In his memoir “The Americanis­t,” published in 2007, Aaron identified himself as a “father seeker, hungry for acceptance, eager to slough off his Jewish identity and to melt into the larger America.” Aaron’s citation upon receiving the Humanities medal praised him as “an Americanis­t of both mind and heart” and for “a career unhindered by academic and political boundaries.”

One of five siblings, Aaron was born in Chicago in 1912, spent part of his childhood in Los Angeles, and moved back to his hometown after the deaths of his parents: His mother died when he was 8, his father a year later.

Growing up, his primary education was Chicago itself, its stockyards and ethnic neighborho­ods. But at the University of Michigan, he first read Henry James and Virginia Woolf and heard William Butler Yeats read from his poetry. In graduate school at Harvard, Aaron was among the first to complete a new program of study, American civilizati­on, a melting pot of “history, literature, art and politics.”

Throughout the Cold War, Aaron traveled as a visiting scholar, in Poland and in Uruguay, in China and the Soviet Union. He was a liberal anti-Communist equally opposed to the Vietnam War and the Eastern bloc, and sometimes in conflict with his own government. In “The Americanis­t,” he remembered lecturing in Finland about the mispercept­ions of American students, only to screen a United States Informatio­n Agency documentar­y that reinforced the same stereotype­s.

His other books included “Cincinnati, Queen City of the West” and “The United States,” a textbook co-authored with William Miller and Richard Hofstadter. He also edited the private notes of Arthur Crew Inman, an eccentric and reclusive would-be poet, into “The Inman Diary.”

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