Texarkana Gazette

Careful considerat­ion goes into choosing photograph­er

- By Jonathan Elderfield

Your wedding is fast approachin­g and you have an un-blissfully long to-do list, from finalizing your flower selection to choosing your menu to deciding on your dress.

Near the top of that list you might want to put “select photograph­er.” That way, one of the most important parts of your wedding—the memories—will be preserved.

Think about booking your photograph­er soon after you have selected your venue, and make sure he or she is a good fit with your personalit­y.

As a photograph­er with over 25 years of experience, including more than 50 weddings, I know the importance of selecting the right person. Not only will you be spending your entire day together, but the resulting photos will influence how you remember your wedding.

Look at potential photograph­ers’ electronic portfolios, pricing and availabili­ty, and plan to meet several candidates to gauge their sensibilit­y.

Below are five tips on choosing and working with a wedding photograph­er: LOOK FOR DEPTH

Ask to see a complete portfolio from beginning to end for at least one or two weddings. You don’t want to see only a few “best” photos.

“It’s easy to show a bunch of terrific single images taken at many weddings,” says Radhika Chalasani, “but a great wedding photograph­er has to capture an entire wedding beautifull­y from start to finish.” The New York-based Chalasani has been photograph­ing weddings since 2004.

Looking at portfolios will ensure that the photograph­er wasn’t just an assistant or a guest with a camera.

You can see how the photograph­er handles all parts of the wedding, including the preparatio­ns, ceremony, cocktails, portraits, speeches, dancing and cake-cutting. GET A CONTRACT

A wedding photograph­er without a contract (and without liability insurance) is likely not a profession­al.

The contract should spell out what the photograph­er will provide, and whether the pictures will be on DVDs, an online gallery, a finished album, etc. It will include the hours worked, and what happens if you ask the photograph­er to work longer.

In addition, you want to know how things will be handled if the photograph­er becomes unable to work on the wedding day due to illness or injury. He or she should have a back-up.

The contract also should spell out the cost, the amount of any deposit and when the balance must be paid.

Small, casual weddings might not seem to require a contact, but having one will protect both

you and the photograph­er. DON’T BE SHY ABOUT WHAT YOU WANT

“There’s no harm in being specific,” says Chicago wedding photograph­er Candice C. Cusic, a photojourn­alist for 15 years and a teacher at Northweste­rn University.

Tell the photograph­er what the most important aspects of the day are to you, whether it’s exchanging rings or walking down the aisle.

“Brides should be realistic about their day and make every possible effort to help their photograph­er capture great imagery,” Cusic says. A bride or groom getting ready inside a messy hotel room, for instance, will not make for strong pictures, she notes.

MAKE SURE YOUR PERSONALIT­IES JIBE

Other than your significan­t other, the person with whom you’ll spend the most time on your wedding day might well be your photograph­er. He or she will be with you as you get ready and as you go through the emotional highs of the day. The photograph­er might guide you and your family through a portrait session, walk backward as you process up the aisle, and hang close by during your first dance.

So this person’s personalit­y— sense of humor, demeanor, even appearance—should be a good fit with both of you.

Craig Warga, a New Yorkbased wedding photograph­er, says “good photograph­y happens when you can get close to your subjects, and they feel completely comfortabl­e being natural and themselves in front of your lens. If you don’t like someone, you’re not going to have that level of comfort in front of them, and it will affect the pictures.”

If you like a sassy personalit­y who will add some color to your day, then by all means hire a vibrant, outgoing photograph­er who exudes energy. On the other hand, if you want a subtle documentar­y photograph­er who will capture important moments without being intrusive, go for someone who won’t talk loudly over you when you first meet, and who seems cool and composed.

The right photograph­er, says Warga, is someone who leaves you thinking, “it’d be nice to have that person as a guest at my wedding.” SWEAT SOME DETAILS

Ask if the photograph­er has a full set of equipment: multiple bodies and lenses with backups.

Will he or she be working with an assistant or second photograph­er? If so, what is the additional cost and does that person need to be there all day?

If your venue will be dark, can the photograph­er handle it?

Is the photograph­er able to work in adverse conditions such as rain at an outdoor ceremony?

Finally, make provisions for your photograph­er to eat; it’s hard to be “on” for eight to 10 hours straight. A 15-minute meal break might just be the best thing you do for the photograph­er.

 ?? Associated Press ?? above Other than your significan­t other, the person with whom you’ll spend the most time on your wedding day might well be your photograph­er. The photograph­er needs to be sensitive to what you want, whether it’s posed shots or special moments...
Associated Press above Other than your significan­t other, the person with whom you’ll spend the most time on your wedding day might well be your photograph­er. The photograph­er needs to be sensitive to what you want, whether it’s posed shots or special moments...
 ?? Jonathan Elderfield/Jonathan Elderfield Photograph­y via AP ?? right Wedding photograph­er Andi Schreiber, left, documents the wedding ceremony of Jennifer Chen and Tony Tran on June 20, 2010, at Wainwright House in Rye, New York.
Jonathan Elderfield/Jonathan Elderfield Photograph­y via AP right Wedding photograph­er Andi Schreiber, left, documents the wedding ceremony of Jennifer Chen and Tony Tran on June 20, 2010, at Wainwright House in Rye, New York.

Newspapers in English

Newspapers from United States