Texarkana Gazette

Boston museums gain a Dutch treat of donated masterpiec­es

- By William J. Kole

BOSTON—Boston’s art scene is getting a Dutch treat with a twist: a flurry of donated 17th-century masterpiec­es that experts say will change the city’s museum landscape for decades to come.

First, collectors gifted the Museum of Fine Arts with 113 leading Golden Age masterpiec­es—including a prized Rembrandt portrait and works by Rubens and Brueghel—and establishe­d a new center dedicated to the study of Dutch and Flemish art.

Now, the Harvard Art Museums have been bequeathed 330 drawings dating to the 1600s.

Practicall­y overnight, scholars say, the gifts have made Boston a global center for the period.

“I can’t remember a time when a city has been a beneficiar­y of such significan­t gifts in such a short time,” said Arthur Wheelock Jr., a curator at the National Gallery of Art in Washington and a leading expert on Rembrandt, Vermeer and the other Dutch masters who left such an indelible mark on the art world.

Boston-area collectors Rose-Marie and Eijk van Otterloo and Susan and Matthew Weatherbie last month donated works by 76 artists to the Museum of Fine Arts. The gift included funding for a new research library and a Center for Netherland­ish Art at the museum, the first of its kind in the U.S.

It’s the largest gift of European paintings in the museum’s history and will nearly double in size its collection of Dutch and Flemish paintings.

The collection includes Rembrandt’s 1632 portrait of Aeltje Uylenburgh, a cousin of Rembrandt’s wife-to-be. Experts say the work is in nearly perfect condition. Other donated paintings include landscapes, seascapes, cityscapes and still lifes, some of which are included in “Masterpiec­es of Dutch and Flemish Painting,” a new exhibition that runs through Jan. 15 at the MFA.

Then, last week, the Harvard Art Museums were pledged a trove of drawings—including works on paper by Rembrandt and his students—by George Abrams, a Harvard-educated lawyer who has amassed a vast collection and had donated 140 other sketches in past years. Select pieces are on display through mid-January at Harvard, where the government of the Netherland­s knighted Abrams to recognize his contributi­ons to the art world.

Harvard Art Museums director Martha Tedeschi called the most recent gift “truly transforma­tive,” saying it will help make Boston “a major destinatio­n for the study and presentati­on of Dutch, Flemish and Netherland­ish art.”

Together, the donations mean Boston now boasts one of the largest U.S. collection­s of Golden Age art. The National Gallery, New York’s Metropolit­an Museum of Art, the Philadelph­ia Museum of Art and the Detroit Institute of Arts also house considerab­le Dutch and Flemish galleries. Four centuries on, the works still captivate. “You find the world depicted in such detail,” Wheelock said. “Whether it’s Rembrandt exploring the mystery of the human psyche, or Vermeer’s wonderful sense of grace and elegance, they capture all kinds of worlds.”

 ?? President and Fellows of Harvard College via AP ?? The Rembrandt drawing “Four Studies of Male Heads” from the mid-1600s is shown. The piece is among 330 17th-century drawings donated to the Harvard Art Museums by the Maida and George Abrams Collection. Scholars say Boston is fast becoming a global...
President and Fellows of Harvard College via AP The Rembrandt drawing “Four Studies of Male Heads” from the mid-1600s is shown. The piece is among 330 17th-century drawings donated to the Harvard Art Museums by the Maida and George Abrams Collection. Scholars say Boston is fast becoming a global...

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