Oprah Winfrey reflects on book club, announces 100th pick

NEW YORK — For her 100th book club pick, Oprah Winfrey relied on the same instincts she has drawn upon from the start: Does the story move her? Does she think about it for days after? In a work of fiction, do the characters seem real to her?

“When I don’t move on, that’s always a sign to me there’s something powerful and moving,” Winfrey told The Associated Press in a recent telephone interview.

On Tuesday, she announced that she had chosen Ann Napolitano’s “Hello Beautiful,” a modern-day homage to “Little Women” from the author of the bestselling “Dear Edward.” The novel was published Tuesday by Dial Press, a Penguin Random House imprint, and Winfrey believes its themes of family, resilience and perspective give “Hello Beautiful” a “universal appeal” that makes it a proper milestone.

A Winfrey pick no longer ensures blockbuster sales, but it retains a special status within the industry; for authors, a call from Winfrey still feels like being told they’ve won an Oscar. Winfrey told AP that she is in “awe” of the club and its history, “the very notion” that someone might go and buy a copy of “Anna Karenina” or a little known book simply because she suggested it.

“She is the queen,” says Jenna Bush Hager, who hosts the popular “Read With Jenna” club on NBC’s “Today” show. “I remember being a high school senior, in AP English, and reading (David Guterson’s) ‘Snow Falling on Cedars’ because I had walked into the local bookstore and seen that Oprah had recommended it.”

Kristen McLean, an analyst for NPD Books, which tracks industry sales, says that Winfrey is especially effective these days when promoting a known author such as Barbara Kingsolver and her novel “Demon Copperhead,” a bestseller since Winfrey picked it last fall that has far outsold her two previous works of fiction.

Since 1996, Winfrey’s book choices have set her on a journey of extraordinary influence and success, frequent reinvention and the occasional controversy. It has endured through changes for both Winfrey and the publishing industry, through the rise of the internet and the end of Winfrey’s syndicated talk show, through immersions in the classics and unexpected lessons in the reliability of memoirs and the lack of diversity of book publishing.

Thanks to Winfrey, contemporary authors such as Jacquelyn Mitchard and Jane Hamilton found audiences they never imagined, while picks published decades or even centuries earlier, from “Anna Karenina” to “As I Lay Dying,” placed high on bestseller lists. Winfrey didn’t invent the mass market book club, but she demonstrated that spontaneous passion can inspire people in ways that elude the most sophisticated marketing campaigns.

Her most troubled choices — James Frey’s fabricated memoir “A Million Little Pieces,” Jeanine Cummins’ “American Dirt,” a novel criticized for stereotypical depictions of Mexicans — made so much news in part because of the spotlight of a Winfrey endorsement.

The club began as the extension of conversations between herself and her producer at the time, Alice McGee. They would talk about the books they liked until McGee finally suggested, in 1996, that Winfrey share the experience with her viewers. The first pick, Mitchard’s “The Deep End of the Ocean,” has sold more than 2 million copies. Other books also became major bestsellers, whether by established authors like Joyce Carol Oates (“We Were the Mulvaneys”) and Toni Morrison (“The Bluest Eye”) or then-emerging writers like Janet Fitch and Tawni O’Dell.

The club was so successful that some suspected a catch. Winfrey remembers Quincy Jones asking her: “How much money are they paying you for that book club, baby?” The process was so informal that Winfrey at first didn’t even bother going through intermediaries.