Texarkana Gazette

Stuart Hodes, who danced with Martha Graham, is dead at 98


Stuart Hodes, who danced with Martha Graham in the 1940s and ’50s and who for the rest of his life served the field of dance as a performer, choreograp­her, educator, administra­tor and author, died Wednesday in New York City. He was 98.

His daughter Martha Hodes confirmed the death, in a hospital.

Hodes did not grow up as a dancer. When he took his first dance class, at the Martha Graham Studio in 1946, he was nearly 21 and fresh from flying B-17 bombers for the Army during World War II. Within a few months, he was asked to join the Graham company.

Graham was 52, already establishe­d as a founder of modern dance and believed by many to be greatest dancer and choreograp­her of her time. She was also known to be extremely demanding.

Hodes would connect the experience of working with Graham with that as a wartime pilot. Working with Graham was “life in the eye of the storm, at the epicenter of an earthquake,” he wrote in his wry, diaristic 2020 memoir, “Onstage With Martha Graham.” That intensity was what he needed: “Having flown and fought as a 19-year-old, I could live with nothing else.”

“I felt that dancing and flying were two ways of getting to the same state,” he said in an interview on “PBS NewsHour” last year. Both, he wrote in his memoir, “can become pure action in which self-consciousn­ess vanishes, leaving unearthly joy.” Elsewhere he called it “magic time.”

During his tenure with the Graham company, he became known for standing up to her, answering her temper with his. “Martha was driven to dominate people, but I could not allow myself to be dominated,” he wrote.

“Yet I never felt freer than when working with her,” he added. “To become the object of her interest was intoxicati­ng, a challenge I was powerless to resist, yet it took me a while to realize that I was stuck with her and with dancing for the rest of my life.”

The rest of his life was more than seven decades, all devoted to dance.

He performed with the Graham company until 1958, the year he appeared opposite Graham as the Husbandman in Nathan Kroll’s film of what is widely considered her most beloved work, “Appalachia­n Spring,” set to the music of Aaron Copland. That film is the best document of Hodes in his youthful prime: spirited, eager, trustworth­y.

In the 1970s, working for the New York State Council on the Arts and as a panelist for the National Endowment for the Arts, he directed funding to dance companies. From 1972-1982, he was head of the dance department at New York University’s School of the Arts. Throughout, he kept performing, onstage as recently as 2019.

Receiving the lifetime achievemen­t award from the Martha Hill Dance Fund that year, he said, “Dancing was an adventure, and that’s why I stuck with it.”

Stuart Hodes Gescheidt was born in New York City on Nov. 27, 1924, to Jacob and Kate (Hodes) Gescheidt. His father was a building contractor and real estate broker, his mother a stenograph­er and bookkeeper. He was the middle child, between his older sister, who became Malvine Cole and a writer, and his younger brother, Alfred, who became a photograph­er.

Stuart was enrolled in Brooklyn College in 1943 when he was drafted into the Army and learned to fly. “You felt the whole country was up there with you,” he told PBS.

After the war, he returned to Brooklyn College but shortly dropped out to join the Graham company. He also took classes at the School of American Ballet. For his stage name he dropped his surname and later adopted Hodes as his legal surname as well.

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