Texarkana Gazette

‘The Phantom Menace’ dominated 1999’s box office — history has been kinder to it

- TRACY BROWN

LOS ANGELES — May 19, 1999, in a galaxy not so far away …

Excitement for “Star Wars” is at an all-time high. The first new film in the beloved series that originally concluded with 1983’s “Return of the Jedi” is about to be released in 2,970 theaters, with a majority starting their first screenings just after midnight. (Ticket sales opened just the week before.)

Audiences have had 16 long years to dream about what George Lucas has conjured up for this new cinematic adventure. But instead of whatever they’d imagined, “Star Wars: Episode I — The Phantom Menace” involves a nefarious trade dispute, myth-altering midi-chlorians and Jar Jar Binks.

And although it becomes, for a while, the second-highest grossing film of all time, the divisive new chapter gains a reputation as one of the worst “Star Wars” movies ever.

This month, “The Phantom Menace” celebrates its 25th anniversar­y. In the 19 years since 2005’s ” Star Wars: Episode III — Revenge of the Sith,” the much maligned prequel trilogy has, in many ways, been redeemed.

Just look at how its stars — including Ewan Mcgregor, Hayden Christense­n and Ahmed Best — have been reembraced by fans in their returns to the franchise in television projects such as ” Obiwan Kenobi ” and ” Ahsoka. ” Even the actors themselves have voiced appreciati­on that their original films seem to be regarded more positively. Becoming “more aware of the fondness that the generation that we made the prequels for has for those films … [has] meant a lot to me,” Mcgregor told NBC News in 2022.

Set roughly 30 years before the events of the original “Star Wars” (which was rechristen­ed ” A New Hope ” in 1981 after a rerelease), “The Phantom Menace” introduced audiences to a 9-yearold Anakin Skywalker (played by Jake Lloyd), a child who would eventually grow up to become Darth Vader.

Anakin’s story begins when a diplomatic mission gone awry brings Jedi Knight Qui-gon Jinn (Liam Neeson), his apprentice Obi-wan Kenobi (Mcgregor), the clumsy and, to some, cringewort­hy Jar Jar Binks (Best) and young Queen Amidala (Natalie Portman) to his home planet, Tatooine.

Many critics were underwhelm­ed. In his review, Times film critic Kenneth Turan described the film as a “considerab­le letdown” but “certainly adequate.”

What “The Phantom Menace” did have were state-of-the-art visual effects: Lucas was uninterest­ed in revisiting “Star Wars” until the technology caught up to his vision. The film boasts the first fully computer-generated supporting character in Jar Jar Binks, and regardless of one’s opinion of the character, that is a landmark, paving the way for “The Lord of the Rings’” Gollum and the “Avatar” films.

“The Phantom Menace” also included such memorable sequences as Anakin’s podrace and a lightsaber showdown (referred to by the John Williams theme that accompanie­s it, the “Duel of the Fates”) between our Jedi heroes and the film’s fantastica­lly designed villain, Darth Maul.

Still, audiences were much more vocal about the ways “The Phantom Menace” was a disappoint­ment. Criticism of the film included concerns that certain new aliens like the Neimoidian­s and Gungans appeared to reflect racist tropes. (Lucasfilm rejected those claims as “absurd.”) Any thoughtful responses were drowned out by more vitriolic pushback on everything from the characters and acting to the story and execution.

It was an early glimpse into the darker side of the “Star Wars” fandom — and maybe self-entitled fandom in general. Jar Jar Binks actor Best has been candid about how the negative responses to his character led to his receiving online abuse and death threats. Such bad behavior intensifie­d 16 years later, beginning with the release of the sequel trilogy, which saw stars John Boyega and Kelly Marie Tran becoming targets of racist backlash.

In recent years, appreciati­on for “The Phantom Menace” has grown. The 2022 arrival of “Obiwan Kenobi,” in particular, had even skeptics reassessin­g the significan­ce of the prequel trilogy.

“The nostalgia for the prequels can’t redeem those movies in full … But they’re quotable, they’re memeable, and they’re fun to rant against and argue about and rally around,” wrote the Ringer’s Justin Charity.

Part of the reason “The Phantom Menace” has been increasing­ly embraced is because for a generation of fans, “Episode I” was their first “Star Wars” experience. They’re now old enough to defend what was to them just as foundation­al as seeing “Star Wars” in a theater was for kids in 1977.

The prequel films have also been further recontextu­alized by additional storytelli­ng. Series like the animated “Star Wars: The Clone Wars,” set in the years between the events of ” Attack of the Clones ” (2002) and “Revenge of the Sith,” have fleshed out the universe. Live-action shows like ” The Mandaloria­n ” and ” The Book of Boba Fett ” have drawn on lore establishe­d in the prequel-era stories — with success.

 ?? (Keith Hamshere/lucasfilm Ltd./zuma Press/tns) ?? From left, Ewan Mcgregor, Jake Lloyd, Liam Neeson and Natalie Portman in “Star Wars: Episode I — The Phantom Menace.”
(Keith Hamshere/lucasfilm Ltd./zuma Press/tns) From left, Ewan Mcgregor, Jake Lloyd, Liam Neeson and Natalie Portman in “Star Wars: Episode I — The Phantom Menace.”

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