The Arizona Republic

Sign language helps deaf to enjoy music

- By Clarke Canfield

PORTLAND, Maine — Holly Maniatty creates music — for the deaf.

Teaming American Sign Language with dance moves and body language, she brings musical performanc­es alive for those who can’t hear. Her clients are a who’s who of rock, pop and hip-hop: Bruce Springstee­n, Eminem, Mumford and Sons, Jay-Z, Billy Joel, Marilyn Manson, U2, Beastie Boys and Wu-Tang Clan, to name a few.

Along the way, videos of her fast-motion, helter-skelter signing have become popular online. There’s the video of Springstee­n jumping down from the stage at the New Orleans Jazz Fest and joining Maniatty and another interprete­r. There, he dances and signs to “Dancing in the Dark.”

“Deaf people were commenting, ‘Oh, the Boss knows he has deaf fans. That’s awesome,’ ” she said. “When artists connect with their interprete­rs, they also connect with their deaf fans.”

In another video, rap artist Killer Mike approaches Maniat-

“I’ve never seen that before,” he says to her before challengin­g her to sign a profane phrase, which she does wholeheart­edly as the crowd hoots and hollers.

At a Wu-Tang performanc­e, Method Man took notice of her signing, came down from the stage and joined her.

“He said, ‘That’s dope,’ and gave me a hug and a fist pump,” she said.

This month, she signed at New England’s largest drag queen show as performers from all over sashayed down the runway and lip-synced to booming music.

Oscar-winning actress Marlee Matlin, who’s deaf, took to Twitter this year when she saw a video of Maniatty performing at the Wu-Tang show: “Wu tang interprete­r is rapping in sign

BIG time!!”

Found a calling

The 33-year-old Maniatty, who lives outside Portland, learned sign language while studying it at the Rochester Institute of Technology in New York. She decided to make a living of it despite counselors’ advice against it.

She works for a company that connects deaf people with other people over videophone­s that are connected online to computers or TVs. But from mid-April to mid-September, she travels for paid gigs interpreti­ng all types of music — hiphop, rock, jazz, country, gospel, rap.

It’s hard work. To prepare for concerts and festivals, Maniatty studies the musicians for whom she’ll be signing. She learns their lyrics, their dialect, their every move.

Jay-Z, for instance, is open and boisterous on stage.

“As much as you’re able to study those movements and incorporat­e them into your interpreta­tion,” she said, “you really breathe that artist in, and it’s more authentic for people.”

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