The Atlanta Journal-Constitution

Tunnel an evolving canvas

- By Katie Tiller Fast Copy News Service

Q: What is the history of Atlanta’s graffiti-covered Krog Street Tunnel?

A: Connecting the Cabbagetow­n and Inman Park neighborho­ods of Atlanta, the Krog Street Tunnel is a continuall­y evolving canvas updated by graffiti artists.

Constructe­d in 1912, the tunnel runs under Hulsey Yard and has two lanes for traffic, as well as pedestrian walkways. The tunnel runs between DeKalb Avenue on the Inman Park side and Wylie Street on the Cabbagetow­n side.

The city of Atlanta is working to incorporat­e the tunnel into the Atlanta BeltLine’s Eastside Trail extension, which will cause temporary closures this summer during constructi­on.

The tunnel also doubles as a message board, and is frequently updated with details for local events, such as concerts and festivals.

Artist Amir Totem, who goes by Totem, began painting in the Krog Street Tunnel in 1995, when he says most of the artwork there was mere scrawlings or done by stencil.

“There was no art in there. It was just like tags from people passing through from neighborho­od to neighborho­od,” Totem said. “It was never extravagan­t like it is now. There were no completed pieces or anything like that in there at that time.”

Atlanta actress Amber Nash, known as the voice of Pam Poovey on FX’s “Archer,” lives in Cabbagetow­n and said her mother told her about seeing graffiti art inside Krog Street Tunnel as far back as 1967.

It wasn’t until the neighborho­od began to gentrify in the early 2000s, however, that the Krog Street Tunnel began seeing more developed artwork, Totem said.

“When the gentrifica­tion came through, that’s when those artists came in and felt comfortabl­e to do that,” he said.

Totem’s portraits of Bob Marley and Robert Mitchum have been featured at the entrance to the tunnel, along with many other pieces that were displayed inside before being covered up by new art. While Totem no longer paints in the Krog Street Tunnel, he likes that the neighborho­ods have begun to embrace the artists’ efforts.

“A couple of times, friends of mine have painted there and been arrested. It wasn’t like how it is now,” he said.

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