The Atlanta Journal-Constitution

Delicious sequel to ‘Devil Wears Prada’

- By Lisa Scottoline Special To The Washington Post

I liked Lauren Weisberger’s “When Life Gives You Lululemons” before I even opened the cover. That’s because it’s the sequel to “The Devil Wears Prada,” which became the basis for one of the best movies of all time. Plus, “Lululemons” features Emily Charlton, whom fans of the film will remember as the cruel and carbohydra­te-challenged assistant played by Emily Blunt.

“Lululemons” picks up where “Prada” left off. Emily has left Runway magazine, moved to Los Angeles and become a more acidic version of herself: chainsmoki­ng, depressed and dissatisfi­ed with her career as a celebrity stylist and image consultant. She knows the Kardashian­s, Clooneys and Hadids, but when the novel opens at a New Year’s Eve pool party, she’s at her lowest point. She’s also vaguely uneasy about her feckless husband, Miles, who’s standing in an infinity pool with a topless girl on his shoulders. Emily gets a phone call summoning her to New York on a publicity emergency for a rapper named Rizzo, and she seizes the chance to go, thinking, “New York, her first and truest love, awaited.”

But Emily ends up visiting her old camp friend Miriam Kagan, a married mother of two in Greenwich, Connecticu­t. Miriam enlists Emily’s help for another Greenwich housewife, a former supermodel named Karolina Hartwell who has been arrested for a DUI. Karolina has been wrongly accused, but her husband is a handsome senator from New York, and the bad publicity jeopardize­s his presidenti­al aspiration­s. He wants to dump Karolina, which will cause her to lose custody of a stepson she adores, a lovely relationsh­ip that strikes a sweetly authentic note in this otherwise satirical story.

Emily, Karolina and Miriam join forces, which launches a light, breezy plot with frothy entangleme­nts. Along the way is a road trip to a desert spa, and the rest of the novel reads like “The Real Housewives of Greenwich,” a reality show that doesn’t exist, but should.

My only quibble with “Lululemons” is that its satire can slip into cruelty. These characters are obsessed with body image, and their frequent references to weight sometimes morph them into mean girls. And a random joke about the rapper Rizzo dressing as a Nazi is cringewort­hy.

But those elements can’t dampen the humor here. I’m hoping that “When Life Gives You Lululemons” gets made into a movie so it can become my new favorite.

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