The Atlanta Journal-Constitution

Fishing for home

A chef in the American South finds food as the tie to her native India

- By Asha Gomez For the AJC

As I sat sipping chai and sharing stories about my recent trip to Kerala with my teenage son, I paused to take in the heady aroma of spices. I curled my fingers around my cup and mentally recalled all of the familiar flavors that went into the tea: ginger, cardamom, black pepper and a delectable tea strain from Malabar.

The clinking of our tea cups brought me back to the present. My son, toasting my return, leaned forward, smiling, and said, “Welcome home, Mom.” Home.

The word sunk in comfortabl­y around me like my favorite sweatshirt.

They say that the truth comes from the mouth of children, and my son, without meaning to, had pointed to a truth I hadn’t yet dealt with. True, I had just returned to our home in Decatur.

But I had arrived back from Kerala, India, where I was born and raised.

It, too, is a place I once knew deeply as home. When my son welcomed me home, what he couldn’t know and what I wasn’t yet ready to unpack was the dichotomy of what “home” means to me.

For the better part of three decades,

I’ve spent my life in the U.S., having arrived at the age of 18. I’ve made my home in the American South to the point that I crave warm biscuits and gravy for breakfast, not masala dosa. Yet every time I go back to India, little pangs of nostalgia remind me of the life I left behind.

When I’m there, I’m entranced by the beauty of the land and its people.

I can’t help but become transfixed by the shards of memory from an adolescenc­e formed against the backdrop of gently swaying coconut palms and the perfume of mango orchards. Nostalgia has a way of romanticiz­ing things.

The hard truth I faced on my most recent trip is that while Kerala shaped me, I often feel less rooted there.

It is a home that I no longer see myself living in.

I met my mom at 3 a.m. in Trivandrum airport. I arrived bleary-eyed and jet-lagged, but grateful that this city, the state’s capital, was still bustling even in the wee hours of the early morning. I convinced my mother to stop at a roadside chai stall. We sat on the steps and shared tea served the traditiona­l Kerala way in small roundish glasses that transferre­d the warmth of the spiced liquid gently onto our palms, our fingers curled around the barrels. This was one of the most beautiful moments I spent with my mother on this trip. I hungrily consumed it. “It is different for me,” she said, trying to explain the generation­al difference­s between the way we looked at life in this sleepy beach town. “This place and this society are what keep my connection whole,” she continued.

I smiled at her. “I’m connected too, Mom, but my connection is different …” I let my voice trail off, unwilling to grapple with what I was feeling.

During this visit home, I was in town to shoot a Netflix special with chef David Chang for the second season of his popular food travel show, “Ugly Delicious.”

Kerala is a fantastica­lly diverse

state known for its centuries of peaceful cultural coexistenc­e.

On any given day, we heard church choirs in the morning beautifull­y juxtaposed with temple bells and mosque prayers in the evening.

We observed the ebb and flow of fishing boats as they embarked early and returned with their haul by sunset.

Over the course of two weeks, we visited temple celebratio­ns, experienci­ng thousand-year-old recipes made and remade. A highlight was the ceremonial 21-dish vegetarian feast called Sadya.

We traversed fishing villages where the fisherfolk took the sea’s bounty and, with considerab­le ingenuity and finesse, transforme­d them into memorable delicious dishes like masala-rubbed fish wrapped in banana leaves and fireroaste­d on Kerala beaches.

Fish molee is a coconut milk stew. Influenced by the Portuguese but subtly flavored with local spices, it is an example of how Kerala embraces and introduces new ingredient­s into its cuisine.

While visiting churches and mosques, where centuries of trade, cultural collisions and coexistenc­e has led to fascinatin­g culinary adaptation­s and enduring food traditions, I realized that my real remaining connection to my birthland is the food.

I am bound to Kerala by the recipes my mother cooked to nourish her family in a small apartment in Queens, N.Y. These recipes connected me back thousands of miles to India. The cultural DNA of food is what has connected and continues to connect every immigrant from their old home to their new home. For every new immigrant that arrives here from distant lands, their ingredient­s and recipes help weave their unique story and add to the many flavors that quilt the American food table. I am home. Now I must go find some Tellicherr­y black pepper biscuits smothered in gravy and a spoonful of clovetomat­o jam.

 ?? HUNT STYLING BY ASHA GOMEZ / CONTRIBUTE­D BY CHRIS ?? Whole Roast Fish (clockwise from top left), Quick Sauteed Shrimp and Fish Curry are three dishes that help Atlanta chef Asha Gomez stay connected to Kerala, India.
HUNT STYLING BY ASHA GOMEZ / CONTRIBUTE­D BY CHRIS Whole Roast Fish (clockwise from top left), Quick Sauteed Shrimp and Fish Curry are three dishes that help Atlanta chef Asha Gomez stay connected to Kerala, India.
 ?? CONTRIBUTE­D BY ASHA GOMEZ ?? During a visit to her native Kerala, India, chef and cookbook author Asha Gomez shot a Netflix special with chef David Chang for the second season of his popular food travel show “Ugly Delicious.”
CONTRIBUTE­D BY ASHA GOMEZ During a visit to her native Kerala, India, chef and cookbook author Asha Gomez shot a Netflix special with chef David Chang for the second season of his popular food travel show “Ugly Delicious.”
 ?? CONTRIBUTE­D ?? “When I’m there, I’m entranced by the beauty of the land and its people,” writes chef and cookbook author Asha Gomez about Kerala, India, where she was born and raised.
CONTRIBUTE­D “When I’m there, I’m entranced by the beauty of the land and its people,” writes chef and cookbook author Asha Gomez about Kerala, India, where she was born and raised.

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