The Atlanta Journal-Constitution
‘Skywalker’ may give fans what they want
Latest installment is not what the story needs.
In “Star Wars,” no one’s ever really gone.
So Luke Skywalker (Mark Hamill) says, near the end of 2017’s “The Last Jedi” and again in the trailer for the new sequel, “The Rise of Skywalker.” In the trailer, those words are followed by an evil laugh so instantly familiar to fans of the long-running scifi franchise as belonging to a character who was killed five movies ago that it held out the promise of resuscitation.
That promise is confirmed in the on-screen text “crawl” that, as with previous films, opens “Skywalker,” catching us up with what we need to know.
What that text crawl — which opens with the words “The dead speak!” — doesn’t tell us is that the new movie, while fast-paced, eventful, occasionally even surprising, also panders wildly, closing out this last chapter of the nine films that have come to be known as the Skywalker Saga with a story that delivers to the faithful exactly the movie they wanted.
On the one hand, that’s a good thing. On the other, it may not be the closure this epic, now 42 years in the making, deserves.
As “Skywalker” opens, we learn that Adam Driv
er’s Kylo Ren, new supreme leader of the First Order (the bad guys), is about to take a meeting with that character we all thought was dead, a meeting that he hopes will confer even more power upon him and dominion over the galaxy. Rey (Daisy Ridley), our scavenger-turned-hero introduced in 2015’s “The Force Awakens,” is meanwhile continuing her training as a Jedi knight among the rebel forces struggling against the oppressors.
She and Kylo are powerful nemeses, each of them sensitive to the mystical energy known as the Force, with Kylo having embraced its dark side and Rey its light. It is no accident that her name sounds like “ray,” but she wrestles with the pull of the shadows, for reasons we don’t yet know (but will by this film’s final act). For his part, Kylo, the son of Han Solo (Harrison Ford) and Leia Organa (Carrie
Fisher, digitally resurrected since her 2016 death), is also torn between good and evil. That tension — Rey and Kylo kind of dig each other, but they’re also, you know, mortal enemies, so let’s call it a love-hate relationship — is the spine of the new film.
None of that is especially new. Nor is the climactic battle scene that will hinge on a one-chance-in-a-million stratagem. And the film’s aversion to death, or at least the sort of sacrifice that matters — one that demonstrates victory comes at a real cost — is also familiar.
When Luke said no one’s ever really gone, he didn’t mean that no one actually dies in “Star Wars.” Plenty of characters, named and unnamed, have given their lives in the pursuit of destruction — or preservation — of life as we know it in the rebel stronghold. But we’re not given even the deaths of prominent characters in ways that might make us actually feel something other than adrenaline.
If there’s loss at the end of “Skywalker,” it’s the easy kind.
Everybody wants a happy ending. But that doesn’t mean that we should always get the one we want. It’s fine, if also cliche, to be reminded that good will triumph over evil. But it would make for a deeper and more powerful lesson — one that, after nine movies, might leave a lasting dent in the heart — if the hero actually had to give up something, or someone, that didn’t feel like a tiniest bit of a cop-out.