The Atlanta Journal-Constitution
Disillusioned funk from Prince’s vault due out in July; other new releases abound
Every Friday, pop critics for The New York Times weigh in on the week’s most notable new songs and videos.
Prince, ‘Welcome 2 America’:
Prince recorded an album called “Welcome 2 America” in 2010 but shelved it before his death in 2016; his estate will release it in July. Maybe Prince decided the album was too bleak. Its title song is ominous, funky, seemingly improvisational and deeply cynical about an era of misinformation, exploitation and distraction. A pithy, stopstart bass line leaves space for dissonant little solos, while Prince’s vocals are deadpan spoken words: “Truth is a new minority.” He’s answered by women singing precise, jazzy harmonies and layering on more messages: “Land of the free, home of the brave,” they sing with a swinging lilt. “Oops, I mean, land of the free, home of the slave.”
Doja Cat featuring SZA, ‘Kiss Me More’:
The first single from the forthcoming Doja Cat album “Planet Her” features SZA and mixes the breeze of lite 1980s funk with the bawdiness of 2020s hip-hop, a juggling act that Doja Cat has pioneered, if not trademarked, by now.
Majid Jordan, ‘Waves of Blue’:
Crisply ecstatic newwave R&B from the Toronto duo Majid Jordan. What’s most impressive about “Waves of Blue,” besides its spot on texture, is its modesty — the singer Majid Al Maskati doesn’t over-sing to emphasize his point, and the producer Jordan Ullman builds synths like pillars, unostentatiously building a whole world.
Twenty One Pilots, ‘Shy Away’:
“Shy Away,” the first song from a May album called “Scaled and Icy” from the genre-agnostic Ohio duo Twenty One Pilots, starts off as jittery electro before expanding into the dreamy, arms-outstretched pop that keeps arenas and hearts full. There’s a Strokesian energy to the track, but the lyrics don’t bristle with angst; they (not so gently) nudge a loved one to start on a new path.
Rhiannon Giddens with Francesco Turrisi, ‘Calling Me Home’:
Looming mortality becomes a refuge in “Calling Me Home,” written by the celebrated old-timey singer Alice Gerrard. It’s the sentiment of a man on his deathbed: “I miss my friends of yesterday.” The song provides the title for “They’re Calling Me Home,” the new album by the opera-trained singer, fiddler, banjo player and traditional-music explorer (and MacArthur “genius grant” recipient) Rhiannon Giddens with her partner, the early music expert Francesco Turrisi. She sings it in long-breathed lines, sometimes ended in Appalachian yips, accompanied by stark, unyielding drones, as if she’s a lone voice making itself heard before eternity.
Kat & Alex, ‘Heartbreak Tour’:
An earnest power country slow-burner from the new duo Kat & Alex, who competed on “American Idol” last year, and who sing in both Spanish and English (though not here), “Heartbreak Tour” is delivered with soul music conviction and just the right touch of melodrama.