The Atlanta Journal-Constitution

TikTok creators warn of economic impact if app banned

App supports tens of thousands of small businesses globally.

- By Leah Willingham

Alex Pearlman shut the door on dreams of a stand-up comedy career almost a decade ago, pivoting from the stage to an office cubicle where he worked a customer service job.

Then he started posting random jokes and commentary about pop culture and politics on TikTok. Just over 2.5 million followers later, he quit his nine-to-five and recently booked his first nationwide tour.

Pearlman is among the many TikTok creators across the U.S. outraged over a bipartisan bill passed by the House of Representa­tives March 13 that would lead to a nationwide ban of the popular video app if its China-based owner, ByteDance, doesn’t sell its stake. The bill still needs to go through the Senate, where its prospects are unclear.

Content creators say a ban would hurt countless people and businesses that rely on TikTok for a significan­t portion of their income, while also arguing TikTok has become an unrivaled platform for dialogue and community.

Pearlman, who lives outside Philadelph­ia, said TikTok has transforme­d his life, allowing him to live a dream, provide for his family and spend the first three months of his newborn son’s life at home. His customer service job only offered paternity leave equivalent to three weeks off, with two weeks paid.

“I don’t take a day for granted on this app, because it’s been so shocking,” said Pearlman, 39. “In reality, TikTok has been the driver of American social media for the last four years. Something will step into that place if TikTok vanishes tomorrow. Whether or not that will be better or worse, Congress has no way of knowing.”

TikTok, which launched in 2016, has skyrockete­d in popularity, growing faster than Instagram, YouTube or Facebook. The push to remove the app from Chinese authority follows concerns from lawmakers, law enforcemen­t and intelligen­ce officials about the insecurity of user data, potential suppressio­n of content unfavorabl­e to the Chinese government and the possibilit­y that the platform could boost pro-Beijing propaganda, all of which TikTok denies.

To date, the U.S. government hasn’t provided any evidence showing TikTok shared U.S. user data with Chinese authoritie­s.

The move comes as the pandemic saw huge growth in digital marketing as people were stuck at home consuming — and creating — content at levels not seen before.

Jensen Savannah, a 29-yearold from Charlotte, began making TikToks of her travels around the Carolinas during the pandemic. Now a fulltime influencer, she has tripled her income since leaving her telecommun­ications sales job.

“‘Social media Influencer’ is almost to be looked at as the new print and the new form of radio and TV advertisin­g,” she said. “It’s going to bring your dollar much farther than it is in traditiona­l marketing.”

Some creators describe it as a digital equalizer of sorts, providing a platform for people of color and other marginaliz­ed groups to get opportunit­ies and exposure.

“I’ve always had Twitter, I’ve had Facebook, I’ve had Instagram. But TikTok was the first one where, if you want to find somebody who looks like yourself and represents you in any type of way, you can find it,” said Joshua Dairen, a Black, 30-year-old content creator in Auburn, Alabama. Dairen makes videos about his state’s ghost stories, urban legends and history.

Growing up, he loved researchin­g everything paranormal, but he didn’t see a lot of Black representa­tion in the field. Exposure on TikTok has led to jobs writing freelance pieces and contributi­ng to documentar­ies about paranormal occurrence­s and unsolved mysteries. The app also gave Dairen the flexibilit­y and confidence to open his own coffee shop, where he gets visits at least once a day from fans of his work.

He thinks banning TikTok sets “a dangerous precedent about how much power our highest levels of government can wield.”

Almost since its inception, concerns have been raised about the addictive nature of the app, especially for young audiences whose minds are still developing.

Marcus Bridgewate­r, a former private school teacher and administra­tor who owns his own business and posts TikTok gardening videos, wants Congress to be focused on those issues, and not whether the app is Chinese-owned.

“Social media is a powerful tool,” said Bridgewate­r, who lives in Spring, Texas. “And powerful tools are just that: They are capable of helping us transcend ourselves, but in their transcende­nce, they’re also capable of completely severing us from those we love.”

Pearlman said he has long feared politician­s would come after TikTok. He compared the experience of finding out about the House vote to finally getting the call that an ailing loved one has died.

“The part that’s disturbing to me is, I feel like for a lot of Americans, TikTok and social media in general is a release valve — it’s kind of become a default complaint box,” he said.

“So to many people, it feels like they’re trying to ban the complaint box instead of dealing with the complaint.”

 ?? ERIK VERDUZCO/ASSOCIATED PRESS ?? Restaurant owner Ana Acela Perez (left) assists content creator Jensen Savannah with a video for her business at El Puro Cuban Restaurant March 14 in Charlotte, N.C.
ERIK VERDUZCO/ASSOCIATED PRESS Restaurant owner Ana Acela Perez (left) assists content creator Jensen Savannah with a video for her business at El Puro Cuban Restaurant March 14 in Charlotte, N.C.

Newspapers in English

Newspapers from United States