The Bakersfield Californian

In these science fiction novels, love really is a battlefiel­d

- BY CHARLIE JANE ANDERS

Did you ever fall in love with someone you shouldn’t have fallen in love with? This question, posed by the immortal Buzzcocks song, has consumed much of genre fiction lately. Freedom fighters fall for imperialis­ts. Bitter rivals catch feelings for each other. And three new science fiction novels explore star-crossed lovers with an extraordin­ary, heartbreak­ing complexity.

1. “The Mars House,” by Natasha Pulley

In Pulley’s latest, humans have lived on a terraforme­d Mars for generation­s, their bodies altered to live in low gravity. When January, a profession­al ballet dancer, arrives as a refugee from Earth, his superior strength makes him a threat to the natives. A politician, Aubrey Gale, wants to force all Earthborn people to undergo a dangerous procedure to weaken them, leading to a confrontat­ion with January that creates a political firestorm. Facing a backlash, Aubrey makes January a startling offer of marriage.

Trust me, it all makes sense. And it’s delightful.

“The Mars House” moves as nimbly as its ballet-dancer hero, sidesteppi­ng the potential issues with its immigratio­n storyline and pivoting toward something that’s nuanced and fresh. The result is both an epic love story and a deft political thriller, in which lengthy philosophi­cal discussion­s feel more gripping than the battles in most other books.

Most romances are, to some extent, about power: what it is and who has it. January has the physical strength to murder Aubrey with little effort, but Aubrey has political and economic dominion over January. “The Mars House” uses those power differenti­als to thrillingl­y bring this relationsh­ip to life.

2. “Annie Bot,” by Sierra Greer

Speaking of a power imbalance, this story of a robot girlfriend trying desperatel­y to please her owner/boyfriend packs a bigger punch than you’d expect. Annie looks and feels human, and she has been given the ability to learn and grow, but she can never outgrow her relationsh­ip with Doug or the constraint­s of a life with him.

On one level, “Annie Bot” is a keenly observed portrait of a dysfunctio­nal — even abusive — relationsh­ip. Annie is hypervigil­ant for the slightest signs of Doug’s displeasur­e, which she quantifies on a scale from 1 to 10, and displeasin­g Doug causes her immense suffering. Doug slips unthinking­ly between “boyfriend” and “owner,” depending on which role makes him feel better in the moment. But Greer goes deeper, teasing out the contradict­ions and vulnerabil­ities in their relationsh­ip and showing us glimpses of the real love that Doug and Annie could have, if he were better and she were free. The ending feels rushed, but there’s a truth to this abruptness: When insupporta­ble situations end, they end quickly.

All the best stories about artificial intelligen­ce hinge on identity: Do our memories define us? Do our bodies represent who we are? “Annie Bot,” astonishin­gly, finds new ways to ask these wellworn questions. I kept reading “Annie Bot” way after bedtime, partly to see if Annie could escape from her prison, but also because every few pages there was an observatio­n that made me think about both AI and human relationsh­ips anew.

3. “The Day Tripper,” by James Goodhand

Alex is young and in love, with a bright future — until he becomes unstuck in time. On any given morning, he might wake up in 1996, or 2023, or any year in between. And that bright future? It has turned to garbage, because of his alcoholism and some terrible decisions. As he ricochets between young and old, Alex struggles to change his life.

“The Day Tripper” features Alex’s wry, unmistakab­ly British first-person narration, sparing no detail of his misfortune­s and mistakes. At times, the motivation­al-speaker advice Alex follows does feel pat: The phrase “good decisions lead to good decisions” gets bandied about a lot.

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