The Bakersfield Californian

Do you know Huell Howser?

- JOE MATHEWS Joe Mathews writes the Connecting California column for Zócalo Public Square.

‘Do you know Huell Howser?” I got that question recently while chatting with a counter guy at Erick Schat’s Bakery, which produces Dutch pastries and sheepherde­rs’ bread in the eastern Sierra town of Bishop.

It’s a question I get in all different corners of California.

I suppose it’s unsurprisi­ng that I, a longtime chronicler of California’s places, get asked if I know the public television reporter who took viewers into every little town and restaurant from Alturas to Zzyzx.

But it’s a question that never ceases to amaze me.

Because the truth is that I can’t possibly know Huell Howser. And not just because I only met him a couple of times. No one can know Huell Howser anymore, because Huell Howser died 11 years ago, of prostate cancer, at age 67.

But the truth is also that people do know Huell Howser. Because he never really left us. His shows still air regularly on public TV stations in Southern California. Episodes of his California-exploring series — “California’s Gold,” “California’s Green,” “Downtown,” “Road Trip with Huell Howser” and “Visiting” — still attract heavy traffic online.

Why does Huell Howser retain such a hold on us? The best answer to that question came from author D.J. Waldie, in a Zócalo Public Square essay published shortly before Howser’s 2013 death.

Waldie’s thesis was that Howser, in taking viewers to every corner of California, was finding joy in the thing that California­ns most cherish: our broken dreams.

Most people come to California, or grow up here, dreaming of stardom or invention or new lifestyles. Instead, they end up sewing dresses in a little store in Tustin, or working at a dairy outside Turlock. You can feel pretty small doing that kind of work. But when Howser showed up, the public TV explorer in all his geeky ebullience, it made the life you settled for seem big.

“Howser wasn’t just pitching the muchness of California, an abundance anyone should be able to see unaided,” Waldie wrote. “He was pitching the almost infinite otherness within the ordinary of California, particular­ly when California is considered with joy.”

Waldie wrote that Howser’s deep connection with the regular “folks” of California was not his joy but “the melancholy behind his fierce public niceness.” His TV tours could strike sad notes, especially when his questions revealed wonderful old things that no longer existed. The same relentless dynamism that produces the many wonders of California also destroys the establishe­d. Our sunny love of the novel coexists with darkness and loss.

Howser liked to say that his goal was to encourage California­ns to embark on their own personal adventures around the state, and investigat­e the places all around them. Howser modeled that kind of exploratio­n, with a curiosity about everything that showed how fiercely unprejudic­ed he was.

As Waldie wrote, Howser was not urging California­ns to take “a harmless field trip” but rather to begin “an encounter with the difference­s that reside, intractabl­e, in everyday life — real difference­s between people, conditions, ethnicitie­s, and cultures that can only be accepted for what they are and mostly with a smile.”

I don’t look or sound like Howser — he was a handsome TV guy with the distinctiv­e accent of his native Tennessee, while I’m a rumpled print guy and fourth-generation California­n. But I suspect I get the “Do you know Huell Howser?” question because my reporting method is so similar to his.

That method: modestly planned, thoroughly unrehearse­d wandering — which also happens to be the most practical way to get to know California.

Because California­ns are so informal and so flaky (as anyone who has ever invited people to a dinner party knows), I rarely bother to schedule a bunch of interviews in advance when I’m visiting a town. It works much better to show up unannounce­d, act friendly and start asking respectful questions about what people do.

I also say, as Howser did, “wow” and “gee whiz” when people are showing me things — a rusting old motorbike, a piece of street art, a loaf of bread — that would seem less than amazing to someone less geekily California­n.

There is no greater flattery in the Golden State than to take an interest in what others do. California­ns, whatever their occupation, are instinctiv­e artists, and asking them about their business or their home or their flea market — as Howser did — often elicits detailed and thoughtful responses.

That’s what I was doing at Schat’s. I had been pressing the counter guy. What is that bread? Can I try a piece? What makes it taste so good?

His answer to my last question was perfect: The best bread comes from the baker most determined to make sure you never forget it.

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