The Boston Globe

Directors reach deal with studios

Writers’ strike enters 6th week

- By John Koblin

The union that represents thousands of movie and television directors reached a tentative agreement with the Hollywood studios on a three-year contract early Sunday morning, a deal that ensures labor peace with one major guild as the writers’ strike enters its sixth week.

The Directors Guild of America announced in a statement overnight that it had made “unpreceden­ted gains,” including improvemen­ts in wages and streaming residuals (a type of royalty), as well as guardrails around artificial intelligen­ce.

“We have concluded a truly historic deal,” Jon Avnet, the chair of the DGA’s negotiatin­g committee, said in the statement. “It provides significan­t improvemen­ts for every director, assistant director, unit production manager, associate director and stage manager in our guild.”

The deal prevents the doomsday Hollywood scenario of three major unions striking simultaneo­usly. On Wednesday, the Alliance of Motion Picture and Television Producers, which bargains on behalf of the studios, will begin negotiatio­ns for a new contract with SAG-AFTRA, the guild that represents actors; their current agreement expires June 30. SAG-AFTRA is in the process of collecting a strike authorizat­ion vote.

The entertainm­ent industry will be looking closely at what the directors’ deal — and the actors’ negotiatio­ns — will mean for the Writers Guild of America, the union that represents the writers. More than 11,000 writers went on strike in early May, bringing many Hollywood production­s to a halt.

Over the past month, the writers have enjoyed a wave of solidarity from other unions that WGA leaders have said they have not seen in generation­s. Whether a directors’ deal — or a possible actors’ deal later this month — undercuts that solidarity is now an open question.

WGA leaders had been signaling to writers late last week that a deal with the directors could be in the offing, a strategy that it said was part of the studio “playbook” to “divide and conquer.” The writers and the studios left the bargaining table May 1 very far apart on the major issues, and have not resumed negotiatio­ns.

Representa­tives for the Alliance of Motion Picture and Television Producers did not immediatel­y respond to a request for comment.

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