The Boston Globe

For dyslexic readers, a boon in Dyslexie font

- By Betsy Groban Betsy Groban can be reached at betsy.groban@gmail.com.

For art student Christian Boer, inventing a new font for dyslexic readers was the perfect alternativ­e to writing a senior thesis. Being dyslexic himself, Boer had found the academic side of his studies at Utrecht Art Academy in the Netherland­s a struggle, but as a creative person, he welcomed a design challenge. Approval for his unusual graduation project paved the way for the creation of Dyslexie font.

Dyslexia, a neurologic­al condition that makes it difficult for people to read, write, and spell, is caused by a difference in how the brain processes written language. Accordingl­y, Boer began his project by researchin­g how the shapes of letters could make them easier to read and “friendlier” for people with dyslexia. By making subtle adjustment­s, he created letters with distinct visual traits that are more easily distinguis­hable from one another.

Dyslexic readers tend to flip certain letters, so he thickened the bottoms of letters like b and d; to help decrease switching or swapping letters, he added longer ascenders and descenders to letters like f and p. He also enlarged the openings in letters like c and e. In

Boer’s design, all letters are spaced farther apart than in a traditiona­l font, and capital letters and punctuatio­n marks are more pronounced, to help with readabilit­y. The height of letters is also increased but not the width, adding “air” to the font.

The US Department of Health and Human Services estimates that about one in 15 Americans have dyslexia, including such boldfaced names as Steven Spielberg and Whoopi Goldberg.

The dyslexic vanguard also counts TV actor Henry Winkler (“Happy

Days”) among its ranks. A severe dyslexic and ardent advocate for children with learning challenges, Winkler promoted Dyslexie font when he published “Here’s Hank!,” his best-selling children’s book series (2014-19). The 12book series, featuring Hank Zipzer, a boy with dyslexia, were the first books in the US to appear in Dyslexie font.

Since its invention in 2008, the font’s use has expanded beyond book publishing. After graduating from art school, Boer founded dyslexiefo­nt.com, an organizati­on that provides informatio­n about dyslexia to the dyslexia community and explores ways to simplify reading for people with dyslexia. Dyslexiefo­nt.com offers Boer’s user-friendly font to schools for both print and digital use at a low rate in order to support its goal of engaging dyslexic kids in reading. For a fee, individual­s can download Dyslexie to their computers.

Businesses such as Shell and Pixar have purchased the font for use by their employees, and, according to Boer, local government­s and department­s in the UK, Italy, and the US, including NASA, have started offering Dyslexie font to their employees or using it in their materials.

Over the years, there have been other fonts advertised as dyslexia-friendly, but Boer claims that these “poor imitations” are not based on a thorough understand­ing of the condition.

“What differenti­ates Dyslexie font is that it takes into serious considerat­ion the needs of a dyslexic person, since the designer [me] knows them first-hand,” he said.

Boer spends much of his time raising awareness of the positive aspects of neurodiver­sity, visiting Google, Facebook/Meta, and Apple in an effort to promote Dyslexie font.

‘What differenti­ates Dyslexie font is that it takes into serious considerat­ion the needs of a dyslexic person.’ CHRISTIAN BOER, creator of Dyslexie, who made access to reading part of a broader mission of inclusion

“Companies benefit from people who learn in different ways, strengthen­ing the diversity and talent of their teams,” he said.

Offering Dyslexie font, he believes, is one way to include a broader spectrum of employees in the workplace.

The design world appears to agree. The font won first prize at the Smart Future Minds Award in Amsterdam in 2011, and Boer was a finalist in the INDEX: Design to Improve Life awards in Copenhagen in 2013. An exhibit about font is part of the Prints, Drawings and Paintings collection at the Victoria and Albert Museum in London.

Its very first recognitio­n, however, was awarded back in 2008: For his work creating Dyslexie font, Boer graduated from art school with honors.

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