The Boston Globe

From wardrobe to waste

The fashion industry accounts for 10 percent of global greenhouse gas emissions. Globe.com/fast-fashion

- Photos, interactiv­e graphics, and more at

‘SUSTAINABI­LITY” IS ONE OF the biggest buzzwords in the fashion industry. Consumers are inundated with messaging about the good (“circular fashion” and “upcycling”), the bad (“greenwashi­ng and “deadstock”), and the ugly (“ultra-fast fashion”) of the apparel industry. But do consumers really understand what these terms mean, or how they should inform their decisions? It’s worth taking a step back from all the buzzy lingo to ask ourselves: Why should we care so much about how we get, buy, care for, and discard something that we all need — our clothing? While clothing is a basic necessity, an outlet for creative expression, and even a crucial component of culture and identity, it is also a major contributo­r to the global climate crisis. In order to blunt this impact, we have to understand the problem.

Roughly 10 percent of the world’s global greenhouse gas emissions are attributed to the fashion industry. That’s more than internatio­nal flights and shipping combined.

Though the industry is already responsibl­e for one-fifth of the 300 million tons of plastic and the 11 million tons of textile waste produced globally each year, the world is producing far more new textiles than ever.

According to a report by the nonprofit Textile Exchange, in 2021 global textile fiber production reached an all-time high of 113 million metric tons. That is quadruple the amount that was produced in 1975. By 2030, the report projected, that number will reach 149 million metric tons.

This is despite the fact that there are enough existing garment textiles on earth to clothe every human on earth for generation­s, and very little of it is recycled. Not only does that surplus create environmen­tal danger, it represents a missed revenue opportunit­y. According to the McKinsey & Company report “The State of Fashion 2021,” recycling these materials into new clothing could amount to $100 billion in additional revenues for the industry each year.

So why hasn’t the industry jumped on this approach? Blame fast fashion.

In recent years, there has been a dramatic rise in brands such as Shein, Boohoo, Uniqlo, and Zara producing large quantities of inexpensiv­e clothing, made of textiles that are not only of inferior quality but also full of synthetic materials that are toxic to the earth during production, when washed, and when thrown away.

And boy, are they thrown away, driven by a celebrity and influencer culture where trends and styles are ever changing, pushing consumers to jump on the latest fashion craze one season, only to toss it aside the next.

That increased demand is what pushes many clothing manufactur­ers to try to keep up supply to drive profitabil­ity. But in the process, they produce excess dangerous products.

According to a 2018 report by the environmen­tal sustainabi­lity consultanc­y

Quantis, the process of bleaching, dyeing, and finishing clothing textiles during clothing manufactur­ing is the biggest source of global pollution from the apparel industry.

The industry uses a tremendous amount of fresh water — 79 billion cubic meters per year, according to a World Bank estimate. The United Nations estimates that 80 to 90 percent of that water then returns to the environmen­t untreated, leaving dyes, chemicals, and synthetic materials to break down into microplast­ics and other contaminan­ts that end up in wastewater.

That breakdown doesn’t end once the clothing is sold — with every laundry wash cycle, more tiny plastic particles end up in wastewater that lands in soil, streams, the ocean, and drinking water, according to a Internatio­nal Union for Conservati­on of Nature and Natural Resources report.

These garments cannot be made without labor, and workers in fast-fashion factories are far more likely to be members of underrepre­sented groups, underpaid, and underprote­cted. The majority of these workers are in countries in the Global South, and only 2 percent of apparel factory workers worldwide make a living wage. Most are people of color, and 80 percent are women.

Workers end up in situations like the devastatin­g Rana Plaza disaster of 2013, when a poorly constructe­d clothing manufactur­ing building in Bangladesh collapsed, killing more than 1,000 people and injuring thousands more — mostly low-income earning women.

The fashion industry certainly is not ignoring these realities, particular­ly as research shows that consumers are increasing­ly concerned about the impact and causes of climate change. To that end, and spurred into action after the Rana Plaza tragedy, a host of clothing brands have put sustainabi­lity and climate justice at the forefront of their mission statements and messaging.

Unfortunat­ely, that has led to another phenomenon: greenwashi­ng. Many brands market themselves as “organic” and “sustainabl­e,” in order to capitalize on consumers’ desire to shop their values, but often fail to live up to their own climateand social justice-focused ideals.

Evidence suggests that such greenwashi­ng — talking sustainabi­lity talk while still walking the fast-fashion catwalk — is working economical­ly for apparel producers. According to McKinsey, despite greater awareness of fashion’s dangerous impact on the planet, on average consumers buy 60 percent more than consumers did in 2000, and they keep those garments half as long.

And less than 1 percent of used textiles are recycled when they are discarded. In fact, 85 percent of clothing waste ends up in landfills. In a perverse yet lucrative secondary trade, much of that waste is shipped to the Global South, where a fraction is resold to be worn but most ends up rotting in piles and polluting the air, soil, and water of people on the other side of the world.

In the fashion business, as in other industries, those in power are rarely those closest to the peril. The fashion industry still disproport­ionately relegates people of color to lower-tiered production and manufactur­ing positions. Recent research indicates that paying garment manufactur­ing workers a living wage would not only lift people out of poverty but it would dramatical­ly cut CO2 emissions. That’s because wages are carbon neutral, and the more time-consuming and skill-intensive garments are to produce, the more it shifts the fashion paradigm away from fast fashion and toward more sustainabl­e production and consumptio­n practices.While the struggle to bring sustainabi­lity to the fashion industry can seem daunting and the problem intractabl­e, innovators on the grass-roots level have been finding new, workable, and scalable solutions to better protect the planet and remove the disparate burden communitie­s of color face, while still leaving room for the creativity, culture, beauty, and fun that fashion can provide us all.

 ?? ?? BELOW: In 2021, H&M hosted a digital event called Looop Island in Animal Crossing to tout its new clothing recycling machine. Visitors to the island interacted with celebrity Maisie Williams and recycled digital clothes into new items. GoodonYou.Eco commented, “Recycling a few items and encouragin­g consumers to recycle or buy recycled items can’t make up for the 3 billion garments H&M produces every year.”
BELOW: In 2021, H&M hosted a digital event called Looop Island in Animal Crossing to tout its new clothing recycling machine. Visitors to the island interacted with celebrity Maisie Williams and recycled digital clothes into new items. GoodonYou.Eco commented, “Recycling a few items and encouragin­g consumers to recycle or buy recycled items can’t make up for the 3 billion garments H&M produces every year.”
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 ?? PHOTOS BY DAVID PAUL MORRIS/BLOOMBERG ?? In the United States in 2021, American families spent an average of $1,700 on apparel and services.
PHOTOS BY DAVID PAUL MORRIS/BLOOMBERG In the United States in 2021, American families spent an average of $1,700 on apparel and services.
 ?? ANTHONY DEVLIN/GETTY IMAGES FOR SHEIN ?? Actress Tillie Amartey attended the Shein opening party at Creamfield­s North on Aug. 25 in Cheshire, England.
ANTHONY DEVLIN/GETTY IMAGES FOR SHEIN Actress Tillie Amartey attended the Shein opening party at Creamfield­s North on Aug. 25 in Cheshire, England.
 ?? H. HOPP-BRUCE/GLOBE STAFF ?? This sweater is 100 percent acrylic, which is not biodegrada­ble or compostabl­e.
H. HOPP-BRUCE/GLOBE STAFF This sweater is 100 percent acrylic, which is not biodegrada­ble or compostabl­e.
 ?? KIMBERLY ATKINS STOHR/GLOBE STAFF ?? This dress is 100% polyester, which is an oil-based plastic.
KIMBERLY ATKINS STOHR/GLOBE STAFF This dress is 100% polyester, which is an oil-based plastic.
 ?? KATIE ON CALLA COVE/YOUTUBE BACKGROUND TEXTILE: ADOBE ??
KATIE ON CALLA COVE/YOUTUBE BACKGROUND TEXTILE: ADOBE

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