Robert M. Young, maker of wide-ranging films, 99
Robert M. Young, an eclectic director whose documentary subjects included civil rights lunch counter sit-ins and sharks, and whose feature films included one about a Mexican American farmer who kills a Texas lawman and one about a woman who takes revenge on her attacker, died Feb. 4 in Los Angeles. He was 99.
The death, in a hospital, was confirmed by his son Andrew.
In an interview with the Directors Guild of America in 2005, Mr. Young recalled what attracted him to filmmaking.
“I wanted to be in life,” he said. “I wanted to be having adventures; I wanted to be living in the world.”
He more than fulfilled that ambition.
In the 1950s, he created educational films with two partners, most notably “Secrets of the Reef” (1956), an underwater documentary made at Marineland Studios in Florida and at a reef near the Bahamas that portrayed the life cycles of octopuses, sea horses, lobsters, jellyfish, and manta rays.
In 1960, he was hired by NBC News for its new documentary series, “White Paper.” That year he directed “Sit-In,” about the Black college students whose protests led to the desegregation of lunch counters in downtown Nashville. The next year he worked on a report about the Angolan war for independence against Portugal, for which he walked hundreds of miles with Angolan rebels. The Portuguese government was unhappy with the report.
“They lodged a formal protest,” Mr. Young told American Film magazine in 1982, “and said if I ever went to Portugal, I’d be put on trial.”
His final project for “White Paper” was about a poor family, the Capras, living in a slum in Palermo, Sicily. But it was pulled in May 1962 by NBC a few days before it was to air. The issue was evidently editorial liberties taken by Mr. Young and his coproducer, Michael Roemer, including a decision to stage a scene in which the central character appeared to be giving birth, which the network said violated its journalistic standards.
Mr. Young said that he had staged the scene because he was leaving Italy before the woman actually gave birth; his solution was to add a disclaimer. He refused NBC’s demands to make changes and was fired.
Mr. Young believed that NBC destroyed the negative, but someone surreptitiously made copies, which were shown at film schools and festivals. His son Andrew and Andrew’s wife, Susan Todd, produced an updated documentary: “Children of Fate: Life and Death in a Sicilian Family” (1993), about four generations of Capras, which intercut images from his father’s film.
Mr. Young acted further on his cinematic wanderlust with a documentary series for the National Film Board of Canada about the lives of the Indigenous Netsilik people in the bleak land that is now called the Nunavut Territory.
Mr. Young was one of several cameramen on the 24-part series and the director of “The Eskimo: Fight for Life,” which he shot on the sea ice at a Netsilik winter camp over several weeks. It won an Emmy after being shown on CBS in 1970.
Robert Milton Young was born Nov. 22, 1924, in the New York City borough of the Bronx. His father, Al, was a film editor who in the 1920s helped start DuArt Film Laboratories, which processed and printed feature films, documentaries, newsreels, television news footage, and commercials. His mother, Ann (Sperber) Young, managed the household.
Mr. Young studied chemical engineering at the Massachusetts Institute of Technology to prepare him for a career at DuArt. He dropped out during his sophomore year, to enlist in the Navy. He joined the photographic unit and filmed behind the lines over two years in New Guinea and the Philippines.
After his discharge, Mr. Young resumed his education, at Harvard, where he studied English literature and made his first film. He earned his bachelor’s degree in 1949.
Mr. Young began working in feature films in 1964 as the cinematographer for “Nothing but a Man,” directed by Roemer, about a Black couple (Ivan Dixon and Abbey Lincoln) dealing with racism in the Deep South.
In 1977, after working on several National Geographic specials, he directed “Short Eyes,” a prison drama adapted from Miguel Piñero’s play, and “Alambrista!” the fictional story of a Mexican man who illegally crosses the United States border to earn money to support his wife and infant daughter.
“Alambrista!” won the Golden Camera award for best first feature at the Cannes Film Festival.
Edward James Olmos, who had a small part in “Alambrista!” was a producer and the star of “The Ballad of Gregorio Cortez” (1982). He hired Young to direct the film, which was based on the true story of a farmhand on the run from a manhunt in 1901 after killing a sheriff in Gonzales, Texas. Among Mr. Young’s other films were “Dominick and Eugene” (1988), “Triumph of the Spirit” (1989), and “Extremities” (1986).
In addition to his son Andrew, Mr. Young leaves his daughter Melissa and another daughter, Sarah Young, both from his marriage to Ellan Ulery, which ended in divorce in 1975, his wife, Lili (Partridge) Young, their sons, Nick and Zack, and nine grandchildren.