The Boston Globe

Allison Pataki explores the life of a fascinatin­g, trailblazi­ng, iconic Transcende­ntalist

- By Betsy Groban GLOBE CORRESPOND­ENT Betsy Groban, author of the forthcomin­g children’s book “Pizza for Pia,” can be reached at betsy.groban@gmail.com.

Allison Pataki is known for her best-selling historical novels about overlooked but fascinatin­g “leading ladies” like Marjorie Merriweath­er Post (the cereal heiress, entreprene­ur, and philanthro­pist who, incidental­ly, built Mar-A-Lago), Desiree Clary (secret lover of Napoleon Bonaparte), and Empress Elisabeth of Austria-Hungary (the Lady Diana of her era).

This time, she delves into the remarkable life of Cambridge-born Margaret Fuller (1810-50), the feminist and public intellectu­al known in her time as the most well-read person in America. Edgar Allan Poe (not a fan) proclaimed that “humanity is divided into men, women, and Margaret Fuller.” Much of Pataki’s research took place in Concord, as explored by Pataki in “Finding Margaret Fuller,” which debuted earlier this week. We spoke with Pataki from her New York home about Fuller’s “brave, bold, and colorful life” ahead of a Saturday reading at An Unlikely Story in Plainville.

Q. While still a college student at Yale, you embarked on a career in journalism. Why did you switch from journalism to fiction, and specifical­ly, to novels about lesser-known female historical figures?

A. I worked for ABC News in college and directly afterwards but soon realized that my true passion was for deeper, longer narratives. I studied English and history . . . and was always a voracious questioner and storytelle­r. For me, history provides the juiciest raw material to tell the saga of human nature. My first book was about Benedict Arnold’s wife . . . Peggy Shippen, who I found to be the most interestin­g character in the whole tale.

I’m drawn to historical fiction because it’s both educationa­l and entertaini­ng. History provides the bones of a story; I put on the flesh. Writing fiction lets me put the reader in the room and tell how things happened and how it felt. I like the immersive storytelli­ng experience and the way fiction can make a historical figure come to life and walk on her own.

Q. How do you choose your subjects? You will most likely spend several years in their “company,” so it’s an important decision. How do you embark upon your research?

A. If all goes well, it’s a relationsh­ip for life. So, first, I must fall deeply in love with both the leading lady and her era. After that, my work begins with the deep dive into the historical record, soaking up as much historical context and detail as I can, reading primary sources, biographie­s, the subject’s own work. I work on really being there. I become obsessed.

Q. What would you like today’s readers to take away from your book about Margaret Fuller?

A. Margaret Fuller was so many things, including many “firsts” — first woman admitted to study in Harvard’s library, first female foreign correspond­ent, first female editor of a major intellectu­al journal (The Dial), noted author, editor, feminist, activist, journalist, Transcende­ntalist. She was a courageous and brilliant woman who made an enormous contributi­on to American thought, letters, language, culture, and society. She lived life on her own terms and has not been given her due. I think it’s important to read and discuss her and to honor her legacy.

Q. During her lifetime, Fuller was quite well known and was called the “radiant genius and fiery heart” of the Transcende­ntalist circle by Ralph Waldo Emerson. Why do you think her reputation declined to the point where she is now referred to as “the forgotten Transcende­ntalist” and even “America’s forgotten leading lady?”

A. Fuller’s life was cut short tragically at age 40. It’s incredible to think what accomplish­ments her future may have held, especially if the manuscript that drowned with her had been published, and if she’d lived to continue her work in the burgeoning women’s rights and abolition movements. Without the power of her own voice and without a significan­t publicatio­n to her credit, the train of history moved on without her. She became a footnote.

Q. Is there a particular­ly fun or surprising fact you discovered about Margaret Fuller in your research?

A. I loved learning that Fuller was Nathaniel Hawthorne’s inspiratio­n for Hester Prynne in “The Scarlet Letter.” [Fuller was] so recognizab­le that his wife took to her bed after reading the book.

Q. Tell us about doing research in Concord.

A. I honestly think if I could choose a place to live, it would be Concord. I loved researchin­g Fuller’s time there, at Emerson’s house, Louisa May Alcott’s House, Walden Pond, the Sleepy Hollow cemetery . ... Concord is historical­ly significan­t, full of beautiful natural scenery, and also lively and contempora­ry.

Q. Now that “Finding Margaret Fuller” is published, have you set your sights on a new “leading lady?”

A. Yes, I have. It’s Evelyn Nesbit, the infamous early-20th-century “It Girl,” a model and actress who was at the center of a scandal that became the first “Crime of the Century.”

Allison Pataki with Greer Macalliste­r, Saturday, 3 p.m. An Unlikely Story, 111 South St., Plainville. anunlikely­story.com/pataki

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 ?? GABRIELLE GERARD ?? “Finding Margaret Fuller” author Allison Pataki
GABRIELLE GERARD “Finding Margaret Fuller” author Allison Pataki

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