Vintage plates elevate the look of a table setting
ware made to look old or worn.
“I don’t want to use the word ‘grandma chic,’ but it was part of our design concept,” said Nick Pimental, co-owner of Elle, a cozy Washington bistro, bakery and bar where the menu and decor were inspired by his wife’s grandmother Eleanor, who was known for her pies and vegetable garden. Eighty percent of the dishes are vintage, many with casual, country patterns. Some were picked up for less than a dollar apiece at thrift shops and antique stores; some were “donations that came in from our friends and family.”
“We wanted to make it more warm, friendly, cozy and neighborly,” Pimental said, as opposed to the “sterile or industrial feel” of nearby eateries.
Sets of formal china generally haven’t been in demand recently, and, as formal entertaining has waned, many downsizing baby boomers have gotten rid of theirs. But tablescapes using older dishes are making a comeback in homes as well.
Replacements in North Carolina is a retailer of vintage and modern tableware, with more than 11 million pieces in its inventory. The “vintage” shop on its website is doing a brisk business. According to Julie Robbins, a Replacements marketing specialist, old china arrives at the facility every day. “There are a lot of new uses for it. Vintage plates elevate the look of a table setting; it’s not generic yet is affordable,” she said.
“It’s more homey to mix up your china, especially if you have 10 people over for dinner and you don’t have 10 of everything,” said Liz Curtis, chief executive and founder of Table + Teaspoon, a nationwide tableware rental service. She is introducing six new tableware packages in the next few months, and three will focus on pattern play. “The table setting sets the tone for the evening,” said Curtis, who encourages customers to mix in family pieces with rentals. “If your guests walk in and it looks like you spent time curating the table, it makes them think they are having an elevated experience.”
Some restaurants looking for vintage, however, found that newer can be better. At Fancy Radish, a cocktail mixed of bourbon, sherry and chai called Woodmaze is served from the bar in a rose-patterned floral teacup and saucer. “We saw Washington as a bit of a fancier place, and our restaurant wanted to capture the feeling of a tea party in an English garden,” says co-owner Kate Jacoby. They started with vintage teacups but found them a bit too fragile. Then they discovered a new bold floral design by Brew to A Tea on Amazon that was perfect. Sometimes patrons are surprised their cocktail comes in a dainty cup. “It does look like tea and you expect it to be hot, but it isn’t,” Jacoby says. “To be drinking a boozy cocktail out of a teacup is a cool change-up.”
At Maydan, one of Washington’s hottest eateries, the interiors are what co-owner Rose Previte calls “midcentury modern meets the Middle East.” The mood extends to the previously owned dinnerware culled from around the world and used in a crazy quilt of table settings. “With social media, you’re constantly looking for ways to make the food look pretty,” said Previte, who searches for old ceramic tea pots, copper serving platters, and blue-and-white pottery at flea markets and thrift shops when she travels. “The dishes express who you are, whether at a restaurant or your home.”
Previte also is a big fan of repurposing. “I like things that come with good energy,” she says. “The plates come in here with their own story.”
Robbins, of Replacements, advises that you not be hasty about dumping an heirloom china set. “People are moving back in the direction of keeping something inherited from family. The challenge is that they are spending longer parts of their adulthood in small quarters, so it’s hard to keep the whole set of china,” she said.
Her suggestion: Keep a few pieces you know you’ll use; donate or sell the rest. This allows you to enjoy the memories the pattern evokes, yet “no longer resent the space the whole set takes up in your closet.”
As assortment of china at Maydan, top, and St. Anselm, above, both in Washington, D.C.