The Columbus Dispatch

Open Mic Eagle, “Anime, Trauma, Divorce”

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The Chicago-born, LA based rapper, thinker and costar of Comedy Central’s “The New Negroes” is one of the most insightful lyricists in the business. His previous album, “Brick Body Kids Still Daydream,” explored his life growing up in a South Chicago housing project.

Various Artists, “The Harry Smith B-sides”

The Atlanta archival imprint Dustto-digital describes this set as “the closing of a collector’s circle.” Drawing

The latest from Damon Albarn’s shape-shifting animated troupe is a collection of tunes created as part of his rolling multimedia Song Machine project. But the smart-alecky spirit and spooky-festive sound are classic Gorillaz, as is the delightful­ly random guest list, which includes Beck, Elton John, Schoolboy Q, St. Vincent, the Cure’s Robert Smith and the late, great Tony Allen.

Bruce Springstee­n, “Letter to You”

Springstee­n tends to release albums right at moments of national crisis. His

For his 33rd studio album (give or take) since 1977, the British bard went to Paris where, over two days just before the coronaviru­s ruined everything, he worked with an ensemble he named “Le Quintette Saint Germain.” In addition to longtime collaborat­or Steve Nieve on piano, Costello gathered a trumpeter, a woodwind player, a cellist and a drummer. Recalled Costello in pre-release notes: “I sang live on the studio floor with the ensemble playing everything I wanted to hear and nothing that I didn’t.”

Rico Nasty, “Nightmare Vacation”

Like some wild convergenc­e of Missy Elliott, Bjork, Danny Brown and

Will country music’s most impressive­ly bearded traditiona­list jump on the Fleetwood Mac bandwagon that’s been rolling through Nashville of late? Seems unlikely — though Stapleton’s new one does feature a cameo by Mike Campbell, the longtime Tom Petty sideman who stepped in for Lindsey Buckingham on FM’S last tour.

Josh Groban, “Harmony”

America’s cuddliest baritone is back this fall with a new studio album (his first since 2018’s “Bridges”) and a series of virtual concerts in which he plans to revisit his favorite show tunes and his most treasured holiday songs. As always with Groban, the music’s quality will increase in direct proportion with how much of his oddball sense of humor he lets in.

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