The Columbus Dispatch

Jason Isbell talks wildest year of his music career

- Chris Riemenschn­eider

As he heads into the final stretch of a year that put him at the forefront of the vaccine debate and several other controvers­ies, Jason Isbell only has one regret about the way he heavy-handedly handled 2021’s COVID-19 problem.

“I spent too much time arguing about something that shouldn’t have been an argument in the first place,” the Alabama-reared country-rocker said.

Five months after he and his workhorse band the 400 Unit played their first shows of summer – all requiring proof of vaccine or negative COVID tests to attend – Isbell is still on the road. In the interim, he made a lot of headlines for his rigid policies, and several other hot topics, too.

Still, it’s hard to argue with the results. Isbell proudly pointed them out in an interview the week before Thanksgivi­ng from his home outside Nashville, Tennessee.

“We were still able to go out and play a lot of shows,” he said, “and we saw only a very small drop in attendance, which might’ve happened anyway. And honestly, the people who did show up made up for it at the merch table because they were excited to be there.”

“I can’t say we still provided a 100% safe environmen­t for everybody, but it felt better than doing nothing.”

No one could accuse Isbell of doing nothing when it comes to the causes and controvers­ies of the day.

When fast-rising country music star Morgan Wallen – who covered Isbell’s “Cover Me Up” on his latest album – was caught on tape drunkenly spewing racial epithets, Isbell condemned Wallen’s actions and pledged to donate all his royalty money from Wallen’s album to the NAACP.

When the 2020 election proved nailbiting­ly close in Georgia, Isbell promised that a winning turnout of blue voters would prompt him to make an album of cover songs from the Peach State (where his former band, the Drive-by Truckers, formed).

Which brings us to Isbell and the 400

Unit’s latest release, “Georgia Blue.” The follow-up to their Grammy-nominated 2020 record “Reunions,” the new charity album features remade songs from R.E.M., Otis Redding, James Brown, the Black Crowes, Indigo Girls, Cat Power, Drivin’ n’ Cryin’, Vic Chesnutt and more. Vocal duties are shared by Isbell’s wife and violinist Amanda Shires (a renowned singer/songwriter on her own) and guests such as Brandi Carlile and Julien Baker.

Surprising­ly, those aren’t the only cover songs Isbell and the band prominentl­y put out in 2021. Their version of “Sad But True” from Metallica’s expanded “Black Album” has become a minor radio hit. He also covered his late friend and hero John Prine’s “Souvenirs” for a new tribute album.

Most surprising of all, Isbell spent part of the year making a movie with Martin Scorsese. Both he and fellow Americana music star Sturgill Simpson were cast opposite Leonardo Dicaprio and Jesse Plemons in the iconic director’s adaptation of the 1920s-era Oklahoma saga “Killers of the Flower Moon.”

“I think they mainly wanted us for our accents,” the novice actor quipped, “but I’ll take it.”

Here’s more of what Isbell had to say as he wraps up perhaps the wildest year of his 20-plus-year career.

On covering Metallica: “I didn’t want to go into it and pretend we’re a metal band. We probably could pull it off, but I don’t think that’d add anything to the collection. So we tried to do something different, knowing it might be polarizing to some people, and it has been. But then we just found out it’s also the No. 1 song in Amarillo at the moment.”

On covering Prine for “Broken Hearts & Dirty Windows, Vol. 2”: “That was hard. Really hard. It’s hard for me to get through any of John’s songs right now. The wounds are still open and the memories still strong. But they’re so beautiful. That one in particular, I saw John sing it at a funeral years ago for somebody his family was close to, and I thought, ‘How does he do it?’ Because he didn’t choke up. So I thought if he could do it, then so could I.”

Newspapers in English

Newspapers from United States