The Columbus Dispatch

Humanity crystalliz­ed in ‘Letter to a Stranger’

- Donna Edwards

“Letter to a Stranger: Essays to the Ones Who Haunt Us” edited by Colleen Kinder (Algonquin)

If you’ve ever purposely gone down the Craigslist Missed Connection­s rabbit hole, “Letter to a Stranger” is for you. Sometimes it’s sweet, sometimes funny, sometimes just weird.

“Letter to a Stranger” is a collection of vignettes by writers who all share one thing in common: an experience with a stranger that they just can’t shake.

The book’s introducti­on starts by explaining, “All writers have a peculiar devotion to strangers.” Colleen Kinder’s curated collection displays that devotion – a special kind of extroverte­d, artistic pull that makes even the introvert capable of fooling someone into thinking they are the most people-y of people persons.

This artistic nature is evident in the latent poetry in each letter’s prose, refreshing­ly unique in voice from one to the next but all sharing a lyrical quality.

Though it reads like the series of letters the title promises, “Letter to a Stranger” is akin to a travel book. Many of the writers’ impactful encounters happen while away from home and their letters are rich with culture, history, and delicious nuggets of local detail.

With a map helpfully included, “Letter to a Stranger” takes us to a hammock in Mazunte, Mexico, where a young boy’s creepy behavior is somehow also endearing; to New York, where a woman’s motherly protection provides relief so palpable I nearly cried; to Guanacaste, Costa Rica, where a bus ride provides a sort of epiphany; and so many more spanning the globe.

“Letter to a Stranger” is an endearing reminder of the humanity that surrounds us; messy, awkward, compassion­ate, vulnerable. Its bite-sized pieces allow you to jump in and out and skip around – though the smooth flow of categories is worth passing through once from beginning to end.

Kinder’s organizati­on puts the essays in a pattern that could be read cyclically, inviting the reader to come back and start over.

Kinder’s concept is enchanting and the execution is solid. The people crystalliz­ed within the collection become strangers who haunt and inspire us readers, too.

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