The Columbus Dispatch

Nine names, each of them marked for death

- Bruce Desilva

“Nine Lives” by Peter Swanson (William Morrow)

The elderly owner of a decaying hotel in Kennewick, Maine, is shoved to the ground, dragged to a tidal pool, and held there face down until he drowns. When police arrive, they find a crumpled piece of paper clutched in his hand.

On it is a typewritte­n list of nine names. Nothing more. But the hotel owner’s name is among them.

Meanwhile, in cities and towns scattered the length of the country, eight other people receive the same list in the mail. They include a struggling actor in Los Angeles, a college professor in

Michigan and an FBI agent in New York. Some of them are men and some are women. Most, but not all, are middle-aged. They appear to have nothing in common.

The only name any of them recognize is their own. Before long, another person on the list is murdered. And then another. Realizing it’s a kill list, the FBI scrambles to locate and offer protection to everyone left – no easy task since some of the names are common.

Mystery fans will be quick to recognize that the plot of Peter Swanson’s “Nine Lives” resembles Agatha Christie’s classic novel, “And Then There Were None.”

Kennewick police detective Sam Hamilton spots this right off, but he notes that there are difference­s as well. In the Christie novel, the victims were isolated on an island, and there were 10 potential victims. He also notes that in the old novel, the killer was hiding among the ten.

This isn’t the first time Swanson has riffed on mystery classics. In “Eight Perfect Murders” (2021), a bookstore owner posts a list of the cleverest murders in crime fiction on his blog, and someone promptly begins reenacting them.

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