The Commercial Appeal - Go Memphis

AP Interview: Exiled artist Ai Weiwei on Beijing Games

- Stephen Wade

Ai Weiwei is one of China’s most famous artists, and many regard him as one of the world’s greatest living ones. Working with the Swiss architectu­ral firm Herzog & de Meuron, he helped design the Bird’s Nest Stadium, the centerpiec­e of Beijing’s 2008 Summer Olympics.

The stadium in northern Beijing, instantly recognizab­le for its weave of curving steel beams, will also host the opening ceremony for Beijing’s Winter Olympics on Feb. 4.

In the design phase, Ai hoped the stadium’s latticewor­k form and the presence of the Olympics would symbolize China’s new openness. He was disappoint­ed. He has repeatedly described the stadium and the 2008 Olympics as a “fake smile” that China presented to the world.

Ai expects the Winter Games to offer more of the same.

Even before his fame landed him the design job, Ai had been an unrelentin­g critic of the Chinese Communist Party. He was jailed in 2011 in China for unspecifie­d crimes and is now an outspoken dissident who lives in exile in Portugal. He has also lived in exile in Germany – he still maintains a studio there – and in Britain.

His art – ranging from sculpture to architectu­re to photograph­y, video and the written word – is almost always provocativ­e, and he’s scathing about censorship and the absence of civil liberties in his native country.

His memoir – “1000 Years of Joys and Sorrows” – was published last year and details the overlap of his life and career with that of his father Ai Qing, a famous

poet who was sent into internal exile in 1957, the year Ai Weiwei was born.

Ai writes in his memoir: “The year I was born, Mao Zedong unleashed a political storm – the Anti-rightist Campaign, designed to purge “rightist” intellectu­als who had criticized the government. The whirlpool that swallowed up my father upended my life too, leaving a mark on me that I carry to this day.”

He quotes his father: “To suppress the voices of the people is the cruelest form of violence.”

Ai responded to a list of questions by email from the Associated Press. He

used his dashed hopes for the Bird’s Nest to illustrate how China has changed since 2008.

“As an architect my goal was the same as other architects, that is, to design it as perfectly as possible,” Ai wrote to Associated Press. “The way it was used afterwards went in the opposite direction from our ideals. We had hoped that our architectu­re could be a symbol of freedom and openness and represent optimism and a positive force, which was very different from how it was used as a promotiona­l tool in the end.”

The 2008 Olympics are usually seen as a “coming out” party for China, When the IOC awarded Beijing the Olympics in 2001, it said they could help improve human rights. Ai, instead, termed the 2008 Olympics a “low point” as migrant workers were forced out of the city, small shops were shuttered and street vendors removed, and blocks-long billboards popped up, painted with palm trees and beach scenes to hide shabby neighborho­ods from view.

“The entire Olympics took place under the situation of a blockade,” Ai told AP. “For the general public there was no joy in participat­ion. Instead, there was a close collaborat­ion between Internatio­nal Olympic Committee and the Chinese regime, who put on a show together in order to obtain economic and political capital.”

Ai writes in his book that he watched the opening ceremony away from the stadium on a television screen, and jotted down the following.

“In this world where everything has a political dimension, we are now told we mustn’t politicize things: this is simply a sporting event, detached from history and ideas and values – detached from human nature, even.”

The IOC and China again say the Olympics are divorced from politics. China, of course, has political ends in mind. For the IOC, the Olympics are a sports business that generates billions in sponsor and television income.

In his email, Ai described China as emboldened by the 2008 Olympics – “more confident and uncompromi­sing.” He said the 2008 Olympics were a “negative” that allowed China’s government to better shape its message. The Olympics did not change China in ways the

IOC suggested, or foster civil liberties. Instead, China used the Olympics to alter how it was perceived on the world stage and to signal its rising power.

The 2008 Games were followed a month later by the world financial crisis, and in 2012 by the rise of General Secretary Xi Jinping. Xi was a senior politician in charge of the 2008 Olympics, but the 2022 Games are his own.

“Since 2008 the government of China has further strengthen­ed its control and the human rights situation has further deteriorat­ed,” Ai told AP. “China has seen the West’s hypocrisy and inaction when it comes to issues of human rights, so they have become even bolder, more unscrupulo­us, and more ruthless. In 2022 China will impose more stringent constraint­s to the Internet and political life, including human rights, the press, and We-media. The CCP does not care if the West participat­es in the Games or not because China is confident that the West is busy enough with

their own affairs.”

Ai characteri­zed the 2022 Winter Olympics and the pandemic as a case of fortunate timing for China’s authoritar­ian government. The pandemic will limit the movement of journalist­s during the Games, and it will also showcase the state’s Orwellian control.

“China, under the system of state capitalism and especially after COVID, firmly believes that its administra­tive control is the only effective method; this enhances their belief in authoritar­ianism. Meanwhile, China thinks that the West, with its ideas of democracy and freedom, can hardly obtain effective control. So, the 2022 Olympics will further testify to the effectiven­ess of authoritar­ianism in China and the frustratio­n of the West’s democratic regimes.”

Ai was repeatedly critical of the IOC as an enabler; interested solely in generating income from the Chinese market. The IOC and China both see the Games as a business opportunit­y. Ai suggested

many Chinese see the Olympics as another political exercise with some – like athletes – trying to extract value.

“In China there is only the Party’s guidance, state-controlled media, and people who have been brainwashe­d by the media,” Ai wrote. “There is no real civil society. Under this circumstan­ce, Chinese people are not interested in the Olympics at all because it is simply a display of state politics. Nationally trained athletes exchange Olympic gold medals for economic gains for individual­s or even for sport organizati­ons; this way of doing things deviates from the Olympics’ original ideas.”

Ai was asked if the planned to go back to China. He said he was doubtful.

“Judging from the current situation, it is more and more unlikely for me to be able to return to China,” he said. “My main point here is that the situation in China has worsened. The West’s boycott is futile and pointless. China does not care about it at all.”

 ?? ARMANDO FRANCA/AP ?? Dissident Chinese artist Ai Weiwei poses by his sculpture “Forever Bicycles” during a press preview of his exhibition “Rapture” in Lisbon on June 3. Ai is one of China’s most famous artists, and many regard him as one of the world’s greatest living artists.
ARMANDO FRANCA/AP Dissident Chinese artist Ai Weiwei poses by his sculpture “Forever Bicycles” during a press preview of his exhibition “Rapture” in Lisbon on June 3. Ai is one of China’s most famous artists, and many regard him as one of the world’s greatest living artists.
 ?? ??
 ?? MARK SCHIEFELBE­IN/AP ?? Performers dressed in traditiona­l Chinese opera costume take a selfie in front of the National Stadium, also known as the Bird’s Nest, in Beijing on Sept. 5, 2020. Ai Weiwei, one of China’s most famous artists, helped design the Bird’s Nest stadium, which was the centerpiec­e of Beijing’s 2008 Summer Olympics. The stadium also will host the opening ceremony for Beijing’s Winter Olympics on Feb. 4.
MARK SCHIEFELBE­IN/AP Performers dressed in traditiona­l Chinese opera costume take a selfie in front of the National Stadium, also known as the Bird’s Nest, in Beijing on Sept. 5, 2020. Ai Weiwei, one of China’s most famous artists, helped design the Bird’s Nest stadium, which was the centerpiec­e of Beijing’s 2008 Summer Olympics. The stadium also will host the opening ceremony for Beijing’s Winter Olympics on Feb. 4.

Newspapers in English

Newspapers from United States