The Commercial Appeal

Accessible art

26 groups gain help with funds

- By Michael Lollar

As part of rehearsals, the crew used a sheet of metal, a drum, a tin can and a whistle to create the sound of a time machine whistling through the air into another era as part of a production of H.G. Wells’ “The Time Machine.”

“It is a production that wouldn’t exist if not for a grant from ArtsMemphi­s,” says Bob Arnold, executive director of Chatterbox Audio Theater. He is staging four production­s of the science fiction drama at Clovernook Center for the Blind and Visually Impaired to give the feel of radio dramas from the 1930s and 1940s, like the riotinduci­ng Wells classic “War of the Worlds” from 1938.

The $3,000 grant to fund the Clovernook project is one of 26 grants presented this week for educationa­l and outreach projects by arts groups across Memphis. From the Tennessee Shakespear­e Company to Memphis Brooks Museum of Art, the 26 groups received $238,150, part of ArtsMemphi­s’ overall $3.3 million grants programfor 2012-13.

At ArtsMemphi­s, president and CEO Susan Schadt says the educationa­l and outreach projects are part of a program that is intended to grow. ArtsMemphi­s launched the program using its own grant, $750,000 from the Assisi Foundation, to broaden arts education in the area over a three-year period.

“We are basing the first year on merit,” says Schadt, who will look for “community input and measuremen­ts,” including surveys, to determine which programs are funded during the next two years of the grant process.

The Tennessee Shakespear­e Company received a $19,000 grant for making Shakespear­e relevant to high school freshmen. It began with a pilot program last year at Germantown High School with “Romeo and Juliet.” The play about dysfunctio­nal families turns into a vehicle for discussion­s about family battles, peer pressure, prejudice and violence. The play’s families, the Capulets and the Montagues, can be compared to gangs, says Slade Kyle, resident artist and education manager for the Shakespear­e company.

“We’re taking it off the page and putting it into their hearts, bodies and minds,” he says. “It begins to become much more relatable to them.”

With the grant from Arts Memphis, Kyle says his company is expanding the program this year into Bartlett, Kirby and Ridgeway high schools and possibly one more school. Kyle says he hopes to expand it again next year as a vehicle for teaching social change.

“Most of the tragedy in ‘Romeo and Juliet’ could be avoided if the kids would talk to their parents,” he says. “It’s OK to talk to your parents. That’s what they’re there for.”

The variety of projects funded through the grants program is part of what Barb Gelb, Arts Memphis’ education and outreach program director, calls a “collective impact effort of arts and culture organizati­ons across the community.” Those receiving grants will hold projects in such diverse places as community centers, parks, libraries, Church Health Center, MIFA, the Child Advocacy Center, Girls Inc., Caritas Village, the Rise Foundation, Bridges, Girl Scouts, the Urban Child Institute and the National Civil Rights Museum.

 ?? MIKE MAPLE/THE COMMERCIAL APPEAL ?? Spence Miller and Katherine Whitfield of Chatterbox Audio Theater help put on an old-time radio performanc­e of H.G. Wells’ “The Time Machine” Friday at Clovernook Center for the Blind and Visually Impaired.
MIKE MAPLE/THE COMMERCIAL APPEAL Spence Miller and Katherine Whitfield of Chatterbox Audio Theater help put on an old-time radio performanc­e of H.G. Wells’ “The Time Machine” Friday at Clovernook Center for the Blind and Visually Impaired.

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