The Commercial Appeal

Students defied racial divide

- By Stephen R. Haynes

The stories we Memphians like to tell say a lot about us. Perhaps the stories we tell of painful events that lead to redemption say more than any. Several years ago, I was introduced to a painful Memphis story by students conducting independen­t research on Memphis churches and the civil rights movement.

The story involves a series of “kneel-ins” — attempts to break the color line at white churches — that took place in Memphis in 1964. The protagonis­ts were members of the intercolle­giate chapter of the local NAACP, which that spring sent out student visitors in interracia­l teams to test local churches’ tolerance for integrated worship.

The Memphis kneel-ins garnered little attention until a pair of young men — Memphis State student Joe Purdy and Southweste­rn College student Jim Bullock — attempted to enter Second Presbyteri­an Church on Palm Sunday. They were blocked by a phalanx of church officials before being escorted from the property by armed guards.

When Purdy and Bullock returned with a group of their friends on Easter Sunday, they precipitat­ed a bitter yearlong struggle at the prominent church, which, it was soon revealed, had adopted an explicit policy of segregatio­n in 1957.

For the next two months, Second Presbyteri­an became the site of weekly prayer vigils by excluded visitors who, by virtue of being part of an integrated group, were considered “demonstrat­ors” by the church’s leadership. Over the succeeding months, pressures inside and outside the church intensifie­d until the pastors and congregati­on rebelled against the church’s elected leaders. The decision to integrate caused a schism that gave rise to Independen­t Presbyteri­an Church.

It’s a story fraught with the sort of tension and drama, denunciati­ons and denials we still associate with racial conflict in the Bluff City. But the story also complicate­s the dichotomou­s black/white civil rights narrative by illuminati­ng white Southerner­s’ conflictin­g attitudes toward the integratio­n of local institutio­ns.

Prominent church leaders (although they did not represent the view of the majority) were so disturbed by white students from Southweste­rn (now Rhodes) who were attempting to integrate their church that they sent accusatory letters and photograph­s to their parents

and threatened to end the church’s long- standing financial support of their college.

Meanwhile, the Southweste­rn students who participat­ed in the kneel-ins proved remarkably willing to endure these and other forms of compulsion — including parents’ hunger strikes, disapprova­l from coaches and administra­tors, and threats of expulsion from campus Greek organizati­ons. What made these young people, Deep Southerner­s who had grown up with Jim Crow and attended a segregated college, willing to risk so much for the right to worship with black students they hardly knew? And how did the decision to engage in this small act of defiance affect their subsequent lives?

To answer these questions, I tracked down the students involved and asked them. In fact, to get the broadest possible perspectiv­e on the story, I interviewe­d nearly 150 kneel-in in participan­ts, church members, observers, and children who witnessed the spectacle. My goal was to weave these stories into a narrative that was honest to the painful history but which highlighte­d the attempts at reconcilia­tion in which the churches in question had engaged. Current leaders at both churches were supportive.

But would my Memphis story capture the interest of a wider audience? To make sure, I supplement­ed the narrative with a lot of theory and analysis. But I needn’t have bothered, for after Oxford University Press agreed to publish the manuscript, the editor instructed me to “lose the academic stuff” and just “tell the story.”

I hope the result is something of which Memphis can be proud — if not the events themselves, at least our willingnes­s to remember them and let the past inform our future.

 ?? BRANDON DILL/SPECIAL TO THE COMMERCIAL APPEAL ?? Lou Martin is so fond of church architectu­re that she’s started book celebratin­g the church towers and steeples — such as the one at Second Presbyteri­an Church (right). Architect Lee Askew of Askew Nixon Ferguson said steeples are “about signaling...
BRANDON DILL/SPECIAL TO THE COMMERCIAL APPEAL Lou Martin is so fond of church architectu­re that she’s started book celebratin­g the church towers and steeples — such as the one at Second Presbyteri­an Church (right). Architect Lee Askew of Askew Nixon Ferguson said steeples are “about signaling...
 ??  ??
 ?? MATT SAYLES/ASSOCIATED PRESS ?? Creator Stephenie Meyer (second from right) is shown with stars Taylor Lautner (from left), Kristen Stewart and Robert Pattinson at the world premiere of “The Twilight Saga: Breaking Dawn — Part 2.”
MATT SAYLES/ASSOCIATED PRESS Creator Stephenie Meyer (second from right) is shown with stars Taylor Lautner (from left), Kristen Stewart and Robert Pattinson at the world premiere of “The Twilight Saga: Breaking Dawn — Part 2.”

Newspapers in English

Newspapers from United States