Gaiman book offers a glimpse of himself
In Neil Gaiman’s passport case, on a scrap of paper beside his green card, are two verses of an unfinished work called “Pirate Stew.”
“I assume it’s for kids,” Gaiman said. “But it’s only two verses ... and it just sits there, and every time I pull out my passport, I feel guilty that I haven’t done anything. One day, I will pull out my passport, get on a plane and go, ‘Ya know, I don’t have anything to do now for the next seven hours. I’ll write ‘Pirate Stew.’”
It’s hard to imagine the British-born Gaiman with time to kill — as a writer, he’s almost absurdly prolific. Gaiman’s new novel, “The Ocean at the End of the Lane” (William Morrow, $25.99), is a dark fairy tale about a bookish 7-year-old boy growing up in England with distracted parents and a neighbor who remembers the big bang. It’s the author’s first book for adults since his best-selling 2005 fantasy “Anansi Boys.”
But that’s only because Gaiman, 52, has been working in umpteen other forms — in March, the BBC broadcast a radio play based on his 1996 TV series “Neverwhere”; in May, a “Doctor Who” episode he wrote aired in the U.K.; in September, his children’s book “Fortunately, the Milk” is due; over the spring, he wrote 12 short stories inspired by fan suggestions on Twitter as part of a project funded by BlackBerry.
Gaiman is also writing the upcoming HBO series “American Gods,” an adaptation of his mythological 2001 novel; and Ron Howard is adapting his 2008 award-winning children’s title “The Graveyard Book.”
For those who know him, including his more than 1.8 million Twitter followers, the author of the “Sandman” comic book series and the “Be- owulf” movie is instantly recognizable — his wild, dark mane has inspired a Tumblr account, “lovingly dedicated to the terrifying wonder that is Neil Gaiman’s hair,” and his fans joke his publisher has insured his trans-Atlantic accent.
Gaiman is remarkably accessible to his audience, quickly replying to their tweets and chronicling his thoughts in an online diary. But his new book allows readers to know Gaiman better than any that have come before it, he said.
“The Ocean at the End of the Lane” takes place in the Sussex countryside, where Gaiman grew up, and is told through a wistful middle-aged narrator looking back on his boyhood belief that “books are safer than other people.”
The inspiration for the story was Gaiman buying a Mini automobile about a decade ago and learning from his father what had happened to his family’s Mini when he was growing up — a boarder had stolen it and committed suicide in it. In the book, the suicide sets off a supernatural chain of events involving a family of three ancient-yet-ageless women who live in an old farm at the end of the lane.
“It’s not autobiographical, but the lead character is very much me age 7, in the geographical landscape that I grew up in,” Gaiman said. “It’s about memory and about family and magic, and it gets very scary and weird.”
Gaiman began the novel as a short story to explain himself to his new wife, musician Amanda Palmer, who was away recording an album. But as he wrote, the story became a 56,000-word novel.
Before early galleys went out to reviewers, or Hollywood agents and producers, Gaiman shared the book with a friend, “Atonement” director Joe Wright, who is set to direct it for Focus Features. “It was very important to me that it be very English,” Gaiman said of the film adaptation. “I wanted an English director and an English production.”