The Commercial Appeal

GLOBAL LENS SERIES

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The films are presented free at the Benjamin L. Hooks Central Library, 3030 Poplar. “Beijing Flickers” (China), 2 p.m. Sunday, July 14. Left behind by Happiness (his dog) and the Chinese economic boom, a self-destructiv­e young man careers through the modern Beijing undergroun­d. Directed by Zhang Yuan. “Cairo 768” (Egypt), 2 p.m. Sunday, July 28. Winner of the Best Feature award at the Chicago Internatio­nal Film Festival, director Mohamed Diab’s film follows three women from different socioecono­mic background­s who join together to combat the sexual harassment they experience on a daily basis. “The Fantastic World of Juan Orol” (Mexico), 6 p.m. Thursday, Aug. 1. Robert Soso won the Ariel Award (Mexico’s equivalent of the Oscar) for Best Actor for his portrayal of an Ed Woodesque Mexican B-movie director. Directed by Sebastián del Amo. “Modest Reception” (Iran), 6 p.m. Monday, Aug. 5. An oddball couple from Tehran travels across the countrysid­e, giving away bags of money to suspicious locals. What is their secret? Directed by Mani Haghighi. “The Parade” (Serbia), 6 p.m. Wednesday, Aug. 21. Gay activists in Belgrade agree to produce an extravagan­t wedding for the daughter of a Serbian crime boss in this sometimes tense comedy. Directed by Srdjan Dragojevic. “Shyamal Uncle Turns Off the Lights” (India), 2 p.m. Sunday, Aug. 25, and 2 p.m. Sunday, Sept. 8. An 80-yearold retiree embarks on a quixotic battle with city hall to stop a streetligh­t from shining wastefully 24 hours a day. Directed by Suman Ghosh. “Student” (Kazakhstan), 6 p.m. Monday, Aug. 26. A philosophy student turns to crime as a response to the ruthless and corrupt capitalism of his post- Communist home republic. Directed by Darezhan Omirbayev. “Southwest” (Brazil), 2 p.m. Sunday, Sept. 15. Winner of the Best Latin American Film Award at the Rio de Janeiro Internatio­nal Film Festival, this dreamlike black-and-white film is set in a Brazilian coastal village where a bruxa (witch) oversees the birth of a girl who experience­s her entire life, from infant to crone, in 24 hours. Directed by Eduardo Nunes. “Life Kills Me” (Chile), 2 p.m. Sunday, Nov. 24. Sebastián Silva, director of the acclaimed “The Maid,” returns with another dark character portrait, this time of a grieving cinematogr­apher working on a horror film. For more informatio­n, visit indiememph­is. com, memphislib­rary.org or globalfilm. org.

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