The Day

Rhiannon Giddens’ stories of the oppressed

- — Glenn Gamboa

The Carolina Chocolate Drops singer's second solo album, “Freedom Highway” (Nonesuch), is so wrenching that not even her gorgeous voice can provide much comfort.

Sometimes, the gut punch is disguised, like in the groovy “Better Get It Right the First Time,” where she uses call-and-response repetition and R&B horn flourishes to pound the lyric “Young man was a good man” into our heads. Then, she delivers the final blow by wailing, “Baby, they shot you anyway” and steps aside for a cutting rap from Justin Harrington.

Sometimes, her aim is straightfo­rward, as in the stunning tale of “Julie,” told through the conversati­on of a slave and her owner as the Union army arrives at their plantation. In pieces we learn, the owner is worried about the army discoverin­g the gold she earned from selling off Julie's children and is still hoping to get help and emotional support from her. That's when Julie has had enough, declaring, “Mistress, oh Mistress, I wish you well, but in leaving here, I'm leaving hell.” THE GRADE: A BOTTOM LINE: Finding inspiratio­n and contempora­ry

Rhiannon Giddens

FREEDOM HIGHWAY Nonesuch

context by telling the stories of slaves and the oppressed Newsday

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