The Day

Pioneering piercer Fakir Musafar dies

- By HARRISON SMITH

Fakir Musafar, a gasp-inducing practition­er and leading advocate of “body play” — the term he used to describe piercing, branding, tattooing, footbindin­g, corseting, body suspension and other practices that stretch, contort or otherwise alter the human form — died Aug. 1 at his home in Menlo Park, Calif. He was 87. The cause was lung cancer, said his wife, Cléo Dubois. A self-described “shaman, artist, master piercer and body modifier,” Musafar was “an astronaut of inner spaces,” the photograph­er Charles Gatewood once said, part of a “sub-sub-subculture” that crept into public view in the 1970s. Initially centered on the gay sadomasoch­ism and fetish communitie­s of San Francisco and Los Angeles, it spawned what Musafar described as an internatio­nal if occasional­ly over-the-top movement, in which entertainm­ent sometimes replaced what he saw as the spiritual nourishmen­t attainable through body play.

“By using your body, modifying your body, you can go into states of consciousn­ess and discover the true nature of life and yourself,” he told Shannon Larratt, founder of the body modificati­on website BMEzine.

Musafar called himself a “modern primitive” — a phrase that became the title of an influentia­l 1989 book, dubbed the “body-mod bible” by the New York Times — and traced his practices to ancient traditions, drawing inspiratio­n from sources including Islamic mysticism, Hinduism, Native American ceremonies and the tattooing cultures of Borneo and the Marquesas Islands.

He began with clothespin­s, using them to stretch his skin in childhood, and at 14 made his first piercing, inspired by a photo in National Geographic of a South Seas islander who had bored a hole in his nostril.

Inserting a nail into one side of a clothespin, creating a clamp, he pierced his genitals, the one place he believed his body modificati­ons would go unseen. “I put in a little copper ring,” he told Larratt in 1997, by then in his late 60s, “and I still have that piercing today.”

He gave himself his first tattoo as a teenager, using his mother’s sewing needles, India ink and Listerine as an antiseptic. About that same time, inspired by a photo of “a wasp-waisted boy” from tribal New Guinea, he began cinching a belt around his waist at night, drawing it tighter until he experience­d “shifts in consciousn­ess.” He later used corsets of his own design to narrow his midriff by about half, giving himself a 19-inch waist.

While Musafar’s practices grew increasing­ly exotic as he got older — at one point he hung two dozen 1-pound weights from piercings on his chest — he kept them secret from all but his closest friends, using his birth name of Roland Edmund Loomis while working as an ad man in Silicon Valley.

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