The Day

ALITA: BATTLE ANGEL

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PG-13, 122 minutes Playing at at Niantic, Waterford, Stonington, Westbrook, Lisbon

her new world, she begins to discover her latent fighting powers and develops feelings for street-smart Hugo (Keean Johnson).

Landau said director James Cameron first fell in love with the Alita novels in 1999, and spent five years working on a script that ballooned to nearly 200 pages with 600 pages of notes. He says Cameron got waylaid working on “Avatar” (2009) and its sequels before one day having a social lunch with director Robert Rodriguez.

“He said if you can crack this down to a shooting length, you can direct it,” Landau recalls. “And Robert did.”

During principal filming in Austin, Texas, Salazar wore a motion-capture suit so her character could later be animated to reflect its look in the novels. When the first trailers came out last year, some viewers said Alita’s eyes appeared huge to the point of being creepy.

Senior visual effects supervisor Joe Letteri, from the Weta Digital studio in New Zealand’s capital Wellington, said they discussed the eyes with Cameron, and he had the opposite reaction, telling them they had held back and should go bigger.

“And it wasn’t the size of the eyes, it was the size of the pupils,” Letteri said. “Because that was a quality in the book, that sort of doll-like quality, and he thought we should bring that out more. And it worked.”

Salazar, who previously appeared in “Maze Runner: The Scorch Trials” (2015), said she completed many months of martial arts training in discipline­s like Muay Thai to prepare for the fight sequences.

“It was a lot of working through soreness, working through pain, getting my endurance up,” she said.

She broke some ribs during her training, she said.

“I fell on my ribs doing a whip kick,” she said. “My other foot just kind of gave out, my other leg kind of swept from under me, and I fell directly on my ribs. I couldn’t breathe for a little while.”

She said she always trusted her character would look good on the screen after Rodriguez showed her some concept art before she got the role.

“They had a vision,” she said. “They stuck to that vision. I trust their vision. And then that is what we ended up with.”

She said she can empathize with the way Alita transforms from a girl to a woman in the movie, after shedding one body for another. “I could relate to that when I was 14 and I felt like a mutant,” she said.

Waltz, who played Col. Hans Landa in “Inglouriou­s Basterds,” said he had no experience with graphic novels before reading up on Alita.

“The manga, comic, graphic novel thing is not my world at all,” he said. “I know nothing about it. And I realize that there is a vast field to be discovered.” — 8 p.m., Mohegan Sun Wolf Den; free.

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— 8 p.m., Katharine Hepburn Cultural Arts Center, 300 Main St., Old Saybrook; $40; 1-877503-1286.

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— 7 p.m., Foxwoods’ Grand Theater; with the Steep Canyon Rangers and Jeff Babko; $60-$251; 1-800200-2882.

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— 7:30 p.m., Chestnut Street Playhouse, 24 Chestnut St., Norwich; Pulitzer Prize-winning musical; $27, $25 seniors, $15 students and children; (860) 886-2378.

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— 10 a.m.-4 p.m., Velvet Mill, 22 Bayview Ave., Stonington; artisan and vendor market.

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— 10 a.m., Denison Pequotsepo­s Nature Center, 109 Pequotsepo­s Road, Mystic; workshop to learn how to spot animal presence outside; $13 members, $15 nonmembers; (860) 536-1216.

— 10 a.m.-4 p.m., Mystic Seaport Museum, 75 Greenmanvi­lle Ave.; games, demonstrat­ions and more in conjunctio­n with the “Death in the Ice” exhibition; included in museum admission; (860) 572-5331.

— 10 a.m.-7 p.m., Mohegan Sun Earth Expo and Convention Center; through Sunday; $12, free for children ages 12 and younger; 1-800745-3000.

— noon, William A. Buckingham Library, 307 Main St., Norwich; tours and 2 p.m. presentati­on by Christophe­r Wigren; free.

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