The Day

Young-adult novelist Bette Greene dies at 86

- By HARRISON SMITH

Bette Greene, a critically acclaimed young-adult novelist who confronted anti-Semitism, domestic violence and homophobia in books such as “Summer of My German Soldier” and “The Drowning of Stephan Jones,” which were frequently targeted in book-banning crusades during the culture wars of the 1990s, died Oct. 2 in Lakewood Ranch, Fla. She was 86.

The cause was congestive heart failure, said her son, Jordan Greene.

Greene often joked that she had been a profession­al writer since age 9, when she wrote a newspaper story about a barn fire in her tiny Arkansas town for 18 cents. Decades later, she published a debut novel that sold more than a quarter-million copies in its first paperback printing and was adapted into an Emmy-winning TV movie, despite being rejected by more than a dozen publishers.

Published by Dial Press in 1973, “Summer of My German Soldier” told the story of Patty Bergen, a Jewish girl in 1940s Arkansas who is beaten by her father, ignored by her mother and finds love and support from the family’s Black housekeepe­r, Ruth, and from a German prisoner of war, Anton, who escapes from a nearby military camp.

The book ended tragically, with Patty labeled a “Jew Nazi- lover” and sent to a state reformator­y for secretly feeding and hiding Anton, who hates Nazis and teaches her that she is “a person of value.”

“This is an exceptiona­lly fine novel about a young girl whose mediocre parents don’t like her, precisely because she is an inconvenie­ntly exceptiona­l human being,” literary scholar Peter Sourian wrote in a New York Times review.

While some critics questioned whether the novel’s brutal scenes of domestic violence were appropriat­e for younger readers, “Summer of My German Soldier” became a National Book Award finalist and was adapted into a 1978 television movie, co- written by Greene and featuring Esther Rolle, who earned an Emmy as Ruth.

Greene had grown up as one of the only Jewish children in her town, just like her fictional protagonis­t, at a time when nearly 23,000 captured Axis troops were being sent to Arkansas POW camps. Asked whether her novel was autobiogra­phical, she once responded by referring a reporter to the dust jacket, which simply described the story. In other interviews, she acknowledg­ed that she, too, had a Black housekeepe­r named Ruth.

Her son said that Greene never went further in explaining the inspiratio­n behind Patty Bergen. But in a short video interview in 2011, Greene seemed to declare that the entire novel was autobiogra­phical, and that she had actually been punished for helping a German POW as a young girl.

“It’s about my life,” she said. “I spent 40 years denying it was about my life. But it was a story that was bursting out to be told. ... Before, I had felt that I had harmed a lot of people. I was ashamed. It took me a lot of years to be able to say, ‘I think I did the right thing.’ Now I’m sure I did the right thing.”

“I wrote truth, that’s all I did,” she added. “So now I’m free.”

Greene wrote six more novels, including “Philip Hall Likes Me, I Reckon Maybe” (1974), which received a Newbery Honor as one of the country’s best children’s books and was followed by two lightheart­ed sequels. She returned to darker subject matter in novels such as “The Drowning of Stephan Jones” (1991), one of the first young-adult novels to address violence against gay people.

Narrated by an Arkansas teenager named Carla, the novel examined the actions of a boy she has a crush on, who carries “his very own leather- bound Bible” and is part of a group of young men who harass a newly arrived gay man in their small town, ultimately throwing him off a bridge. Greene called the novel “not so much a whodunnit as a whydunnit,” inspired by a similar 1984 murder in Bangor, Maine.

“I looked at a picture of the three young men who were arraigned,” she later told the Boston Globe. “They were 16, 17 and 18. They didn’t look like criminals. One looked like my son. Looking at that picture, I started wondering — where does hate come from? Some of it comes from booze and boredom. But the people I interviewe­d always came back to one source — the church.”

Greene spent nearly two years researchin­g the book, interviewi­ng more than 400 people. In an “author’s affidavit” from a 2012 edition of the novel, she recalled that she was attacked during one interview with a Christian religious leader, who slammed her against the wall, pressed his hands against her throat and lifted her off the floor, insisting that she never write her planned novel.

While most critics concluded that “The Drowning of Stephan Jones” was less artistical­ly accomplish­ed than Greene’s earlier books, the novel was nominated for a Lambda Literary Award, for LGBTQ fiction, and taught in schools, much like “Summer of My German Soldier.”

Both books were also occasional­ly banned and included in an American Library Associatio­n report of the “100 most frequently challenged books” of the 1990s. School districts barred them from classrooms amid complaints about their “objectiona­ble language,” depictions of racism, violence and sexuality, and alleged promotion of “anti-Christian beliefs,” according to the ALA and the National Coalition Against Censorship.

Greene was unbowed. She said she received numerous letters from readers who thanked her for opening their eyes to the problem of anti-gay violence, and noted that she was far from the only author to face opposition from conservati­ve parents and skeptical school boards.

“You don’t have to feel sorry for me,” she wrote in a Boston Herald essay after the ALA report was released, “because I’m in the company of Shakespear­e, Steinbeck, Twain and even (Maurice) Sendak’s classic picture book, ‘In the Night Kitchen.’”

Greene was born Bette Jean Evensky in Memphis on June 28, 1934, and grew up in nearby Parkin, Ark., where her parents ran a general store. She later said that she considered herself “the unluckiest, unhappiest girl in town,” given her family’s Jewish faith in the middle of the Bible Belt. For a few years, she became a bornagain Christian.

“I used to sneak into the tents of itinerant Protestant preachers the way a teenager today might sneak into an X-rated movie,” she said. “And as the evangelist spoke with easy familiarit­y of the fires of Hell, I could feel its heat. So I ‘caught’ religion as simply as others caught colds.”

Greene graduated from high school in Memphis, wrote for publicatio­ns including the Memphis Commercial Appeal and attended several colleges, spending a year in a Paris educationa­l program that she later drew on for “Morning Is a Long Time Coming” (1978), a sequel to “Summer of My German Soldier.”

She ultimately studied astronomy and writing at Columbia University but left without receiving a degree, and worked as a public informatio­n officer for the Red Cross before marrying Donald Greene, a neurologis­t, in 1959. They settled in Brookline, Mass., where Greene began writing “Summer of My German Soldier” after the birth of her daughter.

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