The Denver Post

The Dr. Seuss Museum has opened its doors, and Oh the Places You’ll Go! when you visit

- By Mark Pratt

springfiel­d, mass.» From the squiggly, pink handrails outside the entrance to the front hall decorated with scenes from “And to Think That I Saw it on Mulberry Street” — a real street just blocks away — the new Amazing World of Dr. Seuss museum says, “You’re off to Great Places!”

Walking into the museum that opened to the public June 3 in the author and illustrato­r’s hometown of Springfiel­d, Mass., is like walking into one of his beloved children’s books.

The museum dedicated to Theodor Geisel — who under the pen name Dr. Seuss wrote and illustrate­d dozens of rhyming children’s books, including “The Cat in the Hat” and “Green Eggs and Ham” — features interactiv­e exhibits, artwork never before displayed publicly and explains how his childhood experience­s in the city about 90 miles west of Boston shaped his work.

“He would absolutely be at ease here,” said Leagrey Dimond, one of Geisel’s stepdaught­ers (he didn’t have any biological children). “And to know that he’s going to be here permanentl­y, safe, protected, that people who want to know more are going to make this trip here to see him, it’s perfect.”

Examples of Geisel’s early advertisin­g work

and World War II-era propaganda and political illustrati­ons that critics consider racist are conspicuou­sly absent, but that’s because the museum is aimed primarily at children, said Kay Simpson, president of the Springfiel­d Museums complex. The organizati­on has in the past hosted exhibits of Geisel’s wartime work, she said.

Kids are definitely the focus of the first floor of the museum, created in conjunctio­n with Dr. Seuss Enterprise­s, the family company that protects Geisel’s legacy. It features games and climbable statues of Horton, the stack of turtles from “Yertle the Turtle and Other Stories” and Thing 1 and Thing 2 from “The Cat in the Hat.”

“This museum is about visitors encounteri­ng the creatures that sprang out from Ted Geisel’s imaginatio­n — Horton, the Cat in the Hat, the Lorax, Sam I Am — that got kids excited about reading, which was really his preoccupat­ion later on in his career,” Simpson said.

Visitors are taken through Geisel’s boyhood bedroom, his grandparen­ts’ bakery and brewery and different rooms painted in brilliant blues and radiant reds, and decorated in almost fanatical detail with scenes from the books.

The museum’s second floor has a more intimate feeling, with the actual furnishing­s and assorted knick-knacks from Geisel’s studio from the La Jolla, Calif., home where he lived until his death in 1991 at age 87. Even his collection of 117 bow ties is on display.

But by not referencin­g Geisel’s wartime work, which often stereotype­d the Japanese, the museum is telling only half the story, said Katie Ishizuka, who has written on Geisel’s work. “They don’t acknowledg­e the full picture of him or they try to minimize that or sweep it under the rug,” Ishizuka said.

Dimond never heard a prejudiced word out of Geisel, she said, and knows he had some regrets about his wartime work.

“If there is criticism of Ted, it has its place,” she said. “I would never try to — and he would not want any of us to try to — hide away anything he did. I know that he changed with the times.”

Richard Minear, a professor emeritus of Japanese history at the University of Massachuse­tts, who wrote “Dr. Seuss Goes to War” about his political illustrati­ons, says Geisel certainly had a blind spot on race, but it’s not fair to judge his entire career on that work.

“He matured and he developed a whole lot from those early years,” Minear said, noting that “Horton Hears a Who!” was an allegory about post-war Japan and the nation’s relationsh­ip with the U.S.

The museum is expected to draw about 100,000 visitors annually and along with a $1 billion casino scheduled to open in 2018, is part of the Springfiel­d’s economic renaissanc­e, Mayor Domenic Sarno said. Geisel belongs in his hometown, the mayor said.

“Any other city in the country would be salivating to have a museum for a world-renowned author like Dr. Seuss,” he said.

 ??  ?? John Simpson, left, project director of exhibition­s for The Amazing World of Dr. Seuss Museum, and his wife Kay Simpson, president of Springfiel­d Museums, unwrap a statue of “The Cat in the Hat” at the museum in Springfiel­d, Mass. Steven Senne, The...
John Simpson, left, project director of exhibition­s for The Amazing World of Dr. Seuss Museum, and his wife Kay Simpson, president of Springfiel­d Museums, unwrap a statue of “The Cat in the Hat” at the museum in Springfiel­d, Mass. Steven Senne, The...
 ??  ?? John Simpson, left, project director of exhibition­s for The Amazing World of Dr. Seuss Museum, paints a mural based on artwork in the Dr. Seuss book “Did I Ever Tell You How Lucky You Are?” on a wall at the museum in Springfiel­d, Mass. Steven Senne,...
John Simpson, left, project director of exhibition­s for The Amazing World of Dr. Seuss Museum, paints a mural based on artwork in the Dr. Seuss book “Did I Ever Tell You How Lucky You Are?” on a wall at the museum in Springfiel­d, Mass. Steven Senne,...

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